{"title":"Tone Poet Series","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLa serie di ristampe per audiofili Tone Poet presenta ristampe su vinile analogico da 180 g scelte dal catalogo Blue Note. La serie Tone Poet è prodotta e curata da Joe Harley con master realizzati da Kevin Gray direttamente dai nastri master originali. Ogni disco ripropone le classiche copertine, più splendide fotografie di Francis Wolff in confezione gatefold (a libro) di pregio. L'estrema attenzione ai dettagli e i più elevati standard qualitativi rendono la serie Tone Poet le ristampe definitive delle leggendarie sedute di registrazione Blue Note catturate negli studi di Rudy Van Gelder.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"donald-byrd-slow-drag-vinile","title":"Slow Drag | Vinile (Tone Poet series)","description":"\u003cdiv class=\"product_description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1968 | \u003ca href=\"\/collections\/tone-poet-series\"\u003eTone Poet Collection\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUno dei capolavori dell'hard bop firmato Donald Byrd. Registrato nel 1967 ai leggendari Van Gelder Studios del New Jersey, \u003cem\u003eSlow Drag\u003c\/em\u003e cattura il trombettista al culmine della sua forma: affiancato da Sonny Red al sax contralto, Cedar Walton al pianoforte, Walter Booker al contrabbasso e il maestro Billy Higgins alla batteria, Byrd costruisce un album di rara coerenza e intensità.\u003c\/p\u003e\n\u003cp\u003eLa ristampa \u003cstrong\u003eTone Poet\u003c\/strong\u003e di Blue Note — curata da Joe Harley e masterizzata da Kevin Gray — restituisce ogni sfumatura dell'originale su vinile 180g di altissima qualità, per un ascolto che vale quanto una seduta in prima fila al club.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"accordion\"\u003e\u003cinput type=\"checkbox\" name=\"collapse\" id=\"handle1\"\u003e\n\u003ch5 class=\"handle\"\u003e\u003clabel for=\"handle1\"\u003eTracklist \u0026amp; Credits\u003c\/label\u003e\u003c\/h5\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1: Slow Drag\u003cbr\u003eA2: Secret Love\u003cbr\u003eA3: Book's Bossa\u003c\/p\u003e\n\u003cp\u003eB1: Jelly Roll\u003cbr\u003eB2: The Loner\u003cbr\u003eB3: My Ideal\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_credits\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegistrato il 12 maggio 1967 ai Van Gelder Studio, New Jersey\u003c\/li\u003e\n\u003cli\u003eIngegnere del suono: Rudy Van Gelder\u003c\/li\u003e\n\u003cli\u003eProduttore: Alfred Lion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":45686920511667,"sku":"0602438568420","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/donald-byrd-slow-drag-vinile-tone-poet-series-1_3e52414f-d12e-4292-9bb2-f0d8facd8f57.png?v=1784029207"},{"product_id":"curtis-amy-tippin-on-through-blue-note-tone-poet-series-1lp","title":"Tippin’ On Through | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUn vento impetuoso soffiò attraverso il Lighthouse di Hermosa Beach, in California, il 29 luglio 1962, mentre il sassofonista Curtis Amy portava un sestetto di prim'ordine nel leggendario locale per registrare il suo album dal vivo Tippin' On Through per la Pacific Jazz. Il possente sassofonista tenore texano aveva già registrato il suo energico album Groovin' Blue e avrebbe realizzato il suo capolavoro Katanga! l'anno successivo. Qui si circonda di una formazione dinamica composta da Roy Brewster al trombone, Roy Ayers al vibrafono, John Houston al pianoforte, Bob Whitlock al contrabbasso e Lawrence Marable alla batteria per un set swing di sei brani, tra cui tre composizioni originali di Amy e pezzi di Benny Golson, Dave Brubeck e George Gershwin.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTippin' On Through\u003c\/li\u003e\n\u003cli\u003eFunk In The Evening\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eFor Ayres Only\u003c\/li\u003e\n\u003cli\u003eIn Your Own Sweet Way\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003cli\u003eSet Call\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Curtis Amy","offers":[{"title":"Default Title","offer_id":45938499092659,"sku":"0602458740301","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_0eac6e4e-1e69-4fb9-a2d0-f766b2456498.png?v=1788349238"},{"product_id":"mccoy-tyner-asante-blue-note-tone-poet-series-1lp","title":"Asante | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl pianista McCoy Tyner si era sempre più ispirato all'Africa nelle sue registrazioni per la Blue Note della fine degli anni '60, con brani come \"African Village\" e \"Message from the Nile\". Con l'album Asante del 1970, Tyner portò alla ribalta queste influenze con un potente lavoro radicato nel vorticoso tappeto ritmico percussivo creato dal batterista Billy Hart e dal percussionista Mtume. Il bassista Buster Williams, il chitarrista Ted Dunbar e il sassofonista contralto Andrew White completano lo straordinario ensemble di questo set di quattro brani, che include anche la voce eterea di Songai nell'esteso brano di apertura \"Malika\" e nella title track. Sebbene elementi del jazz modale di cui Tyner era stato pioniere nel John Coltrane Quartet siano presenti in tutto l'album, in particolare nel dinamico brano di chiusura \"Fulfillment\", la musica qui preannunciava anche le future direzioni creative che Tyner avrebbe esplorato.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMalika\u003c\/li\u003e\n\u003cli\u003eAsante\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eGoin' Home\u003c\/li\u003e\n\u003cli\u003eFulfillment\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"McCoy Tyner","offers":[{"title":"Default Title","offer_id":45938499420339,"sku":"0602465019742","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_0ffdd320-2b70-4a17-878f-05a5c511fa98.png?v=1788349243"},{"product_id":"dexter-gordon-dexter-calling-blue-note-tone-poet-series-1lp","title":"Dexter Calling… | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSebbene avesse iniziato a registrare alla fine degli anni '40, la firma del contratto di Dexter Gordon con la Blue Note Records nel 1961 segnò l'inizio di una rinascita artistica per il grande sassofonista tenore dopo un decennio turbolento. Con la rapida doppietta del suo album di debutto per l'etichetta, Doin' Allright, e Dexter Calling, registrati a soli tre giorni di distanza l'uno dall'altro nel maggio del 1961, Dexter consolidò con disinvoltura il suo ritorno in grande stile. Dexter Calling presentava una formazione completamente diversa, con Dexter alla guida di un potente quartetto composto dal pianista Kenny Drew, dal contrabbassista Paul Chambers e dal batterista Philly Joe Jones. L'album si apre con la gemma hard bop soul \"Soul Sister\", prima di accelerare il ritmo e dimostrare la sua abilità in brani energici come \"Modal Mood\", \"I Want More\" e \"Clear the Dex\". Gordon rallenta il ritmo per la splendida ballata \"Ernie's Tune\" prima di chiudere il set con la gioiosa \"Smile\" di Charlie Chaplin.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoul Sister\u003c\/li\u003e\n\u003cli\u003eModal Mood\u003c\/li\u003e\n\u003cli\u003eI Want More\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEnd Of A Love Affair\u003c\/li\u003e\n\u003cli\u003eClear The Dex\u003c\/li\u003e\n\u003cli\u003eErnie's Tune\u003c\/li\u003e\n\u003cli\u003eSmile\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dexter Gordon","offers":[{"title":"Default Title","offer_id":45938499551411,"sku":"0602458740288","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_d3d2a53f-5ace-4723-8a8c-bc9cbf00724c.png?v=1788349245"},{"product_id":"kenny-dorham-the-complete-round-about-midnight-at-the-cafe-bohemia-blue-note-tone-poet-series","title":"The Complete ’Round About Midnight At The Cafe Bohemia | 3LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl grande trombettista Kenny Dorham, spesso sottovalutato, ha avuto un ruolo fondamentale nella storia iniziale della Blue Note, partecipando come sideman a sessioni bebop con Thelonious Monk e Art Blakey, nonché a sessioni hard bop fondamentali con Horace Silver e come membro fondatore dei Jazz Messengers. Infatti, appena sei mesi dopo che i Jazz Messengers incisero le loro storiche registrazioni dal vivo al Cafe Bohemia, Dorham portò il suo sestetto nel leggendario jazz club newyorkese nel maggio del 1956 per registrare la sua prima sessione dal vivo a suo nome. Presentato integralmente nell'edizione in vinile 3 LP Tone Poet di The Complete ‘Round About Midnight At The Cafe Bohemia, questo sublime album vede il trombettista accompagnato da J.R. Monterose al sassofono tenore, Kenny Burrell alla chitarra, Bobby Timmons al pianoforte, Sam Jones al contrabbasso e Arthur Edgehill alla batteria, per una raccolta ispirata di brani originali di Dorham, Monk e Dizzy Gillespie, oltre a una selezione di classici del Great American Songbook.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonaco\u003c\/li\u003e\n\u003cli\u003eRound About Midnight\u003c\/li\u003e\n\u003cli\u003eMexico City\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Night In Tunisia\u003c\/li\u003e\n\u003cli\u003eAutumn In New York\u003c\/li\u003e\n\u003cli\u003eHill’s Edge\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eK.D.’s Blues\u003c\/li\u003e\n\u003cli\u003eWho Cares\u003c\/li\u003e\n\u003cli\u003eMexico City (alternate take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoyal Roost\u003c\/li\u003e\n\u003cli\u003eMy Heart Stood Still\u003c\/li\u003e\n\u003cli\u003eThe Prophet\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP3\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eK.D.’s Blues (alternate take)\u003c\/li\u003e\n\u003cli\u003eRiffin’\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Cares (alternate take)\u003c\/li\u003e\n\u003cli\u003eMonaco (alternate take)\u003c\/li\u003e\n\u003cli\u003eN.Y. Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eProduced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder’s original master tapes by Kevin Gray. Pressed on 180g vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz. Also available in a 2-CD set.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kenny Dorham","offers":[{"title":"Default Title","offer_id":45938499584179,"sku":"0602475277859","price":83.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/5_4e3a13cc-1d1e-4c66-8604-e6d21d13d180.png?v=1788349246"},{"product_id":"larry-young-mother-ship-blue-note-tone-poet-series-1lp","title":"Mothership | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMother Ship del 1969, l'ultimo album per la Blue Note del visionario organista Larry Young, rappresentò il culmine di una straordinaria serie di dischi che ridefinirono le possibilità sonore dell'organo Hammond B3. Nel suo acclamato album Unity del 1965, Young spinse i limiti del suo strumento verso le vette più remote dell'esplorazione post-bop. Pubblicato per la prima volta nel 1980 come parte della serie LT, Mother Ship vedeva la partecipazione di Lee Morgan alla tromba, Herbert Morgan al sassofono tenore e Eddie Gladden alla batteria. L'album è pervaso da un'energia cinetica sfrenata, pur offrendo groove soul in una serie di brani originali di Young, dalle escursioni dalle sfumature avanguardistiche della title track e di \"Trip Merchant\" al soul jazz impeccabile di \"Street Scene\", \"Visions\" e \"Love Drops\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMother Ship\u003c\/li\u003e\n\u003cli\u003eStreet Scene\u003c\/li\u003e\n\u003cli\u003eVisions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eTrip Merchant\u003c\/li\u003e\n\u003cli\u003eLove Drops\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Larry Young","offers":[{"title":"Default Title","offer_id":45938500206771,"sku":"0602458648706","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_f9779c34-902a-4345-9e7c-b8236d170bae.png?v=1788349257"},{"product_id":"fred-jackson-hootin-n-tootin-blue-note-tone-poet-series-1lp","title":"Hootin’ ‘N Tootin’ | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl possente sassofonista tenore Fred Jackson fece la sua prima apparizione su un disco della Blue Note con la sua eccezionale performance come sideman nell'album Face To Face dell'organista Baby Face Willette nel 1961 e in seguito avrebbe contribuito con il suo suono energico agli album di Big John Patton per la Blue Note, Along Came John e The Way I Feel. Nel 1962, Jackson registrò il suo debutto come leader per l'etichetta con Hootin' 'N Tootin', una raccolta di brani originali profondamente soul e carichi di passione, eseguiti da una grintosa band di quattro elementi con il chitarrista Willie Jones, il batterista Wilbert Hogan e l'organista Earl Van Dyke, che in seguito sarebbe entrato a far parte della band di casa della Motown, i Funk Brothers.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDippin' In The Bag\u003c\/li\u003e\n\u003cli\u003eSouthern Exposure\u003c\/li\u003e\n\u003cli\u003ePreach Brother\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eHootin' N' Tootin'\u003c\/li\u003e\n\u003cli\u003eEasin' On Down\u003c\/li\u003e\n\u003cli\u003eThat's Where It's At\u003c\/li\u003e\n\u003cli\u003eWay Down Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fred Jackson","offers":[{"title":"Default Title","offer_id":45938500305075,"sku":"0602458422771","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_0db235c5-4f0c-4296-a80f-ad89e05a522c.png?v=1788349258"},{"product_id":"frank-sinatra-songs-for-swingin-lovers-blue-note-tone-poet-1lp","title":"Songs For Swingin' Lovers | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo il suo malinconico capolavoro In The Wee Small Hours, il leggendario cantante Frank Sinatra illuminò notevolmente l'atmosfera con il suo esuberante album Songs For Swingin’ Lovers, pubblicato dalla Capitol Records nel 1956. Insieme, i due album presentavano un'affascinante dualità, con l'amante dal cuore spezzato del primo che assaporava le gioie di un amore appena sbocciato nel secondo. Registrato ai Capitol Studios di Hollywood, l'album fu prodotto ancora una volta da Voyle Gilmore e presentava deliziosi arrangiamenti di Nelson Riddle del Great American Songbook, tra cui \"You Make Me Feel So Young\", \"Too Marvelous For Words\", \"Love Is Here To Stay\", \"I've Got You Under My Skin\" e molti altri.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Make Me Feel So Young\u003c\/li\u003e\n\u003cli\u003eIt Happened In Monterey\u003c\/li\u003e\n\u003cli\u003eYou're Getting To Be A Habit With Me\u003c\/li\u003e\n\u003cli\u003eYou Brought A New Kind Of Love To Me\u003c\/li\u003e\n\u003cli\u003eToo Marvelous For Words\u003c\/li\u003e\n\u003cli\u003eOld Devil Moon\u003c\/li\u003e\n\u003cli\u003ePennies From Heaven\u003c\/li\u003e\n\u003cli\u003eOur Love Is Here To Stay\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI've Got You Under My Skin\u003c\/li\u003e\n\u003cli\u003eI Thought About You\u003c\/li\u003e\n\u003cli\u003eWe'll Be Together Again\u003c\/li\u003e\n\u003cli\u003eMakin' Whoopee\u003c\/li\u003e\n\u003cli\u003eSwingin' Down The Lane\u003c\/li\u003e\n\u003cli\u003eAnything Goes\u003c\/li\u003e\n\u003cli\u003eHow About You?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton \u0026amp; Ken Veeder.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":45938500337843,"sku":"0602478949104","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_0e1bac74-1945-46f8-a017-c1516ff23fa6.png?v=1788349259"},{"product_id":"lawrence-marable-tenorman-blue-note-tone-poet-series-1lp","title":"Tenorman | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTenorman, un album jazz della West Coast che sprigiona tutta la grinta dell'hard bop, è una sessione energica e swingante guidata dall'stimato batterista Marable, che ha lanciato il giovane sassofonista texano Clay, supportato dal solido pianista Sonny Clark e dal contrabbassista Jimmy Bond. Registrato nell'agosto del 1956 ai Capitol Studios di Hollywood per l'etichetta Jazz: West, una piccola etichetta discografica affiliata alla Pacific Jazz, l'album presenta interpretazioni convincenti di brani celebri (\"The Devil And The Deep Blue Sea\", \"Easy Living\", \"Willow Weep For Me\", \"Lover Man\") con l'aggiunta di tre composizioni originali di Clark (\"Minor Meeting\", \"Three Fingers North\", \"Marbles\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Devil And The Deep Blue Sea\u003c\/li\u003e\n\u003cli\u003eEasy Living\u003c\/li\u003e\n\u003cli\u003eMinor Meeting\u003c\/li\u003e\n\u003cli\u003eAir Tight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWillow Weep For Me\u003c\/li\u003e\n\u003cli\u003eThree Fingers North\u003c\/li\u003e\n\u003cli\u003eLover Man\u003c\/li\u003e\n\u003cli\u003eMarbles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lawrence Marable","offers":[{"title":"Default Title","offer_id":45938500894899,"sku":"0602458422788","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_e756cb5f-1fd4-4a17-850a-f36b739c2168.png?v=1788349269"},{"product_id":"andrew-hill-compulsion-blue-note-tone-poet-series-1lp","title":"Compulsion!!!!! | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1967\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUno dei lavori più audaci nella discografia di Andrew Hill, Compulsion del 1965, rappresenta l'espressione dell'avanguardia del pianista attraverso il prisma delle radici del jazz nei ritmi africani. Il pianoforte percussivo di Hill guida un ensemble audace attraverso quattro suggestivi brani originali – \"Compulsion\", \"Legacy\", \"Premonition\" e \"Limbo\" – interpretati con grande intensità dal trombettista Freddie Hubbard, dal sassofonista John Gilmore, dai bassisti Cecil McBee e Richard Davis, dal batterista Joe Chambers e dai percussionisti Nedi Qamar e Renaud Simmons.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCompulsion\u003c\/li\u003e\n\u003cli\u003eLegacy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003ePremonition\u003c\/li\u003e\n\u003cli\u003eLimbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrew Hill","offers":[{"title":"Default Title","offer_id":45938500927667,"sku":"0602458422764","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_35ede3e2-1a6e-4520-b5a5-a564d52cccc5.png?v=1788349270"},{"product_id":"bennie-green-back-on-the-scene-blue-note-tone-poet-series-1lp","title":"Back On The Scene | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombonista di Chicago Bennie Green fece il suo debutto con la Blue Note nel 1958 con il suo delizioso album Back On The Scene, accompagnato da un quintetto stellare composto dal sassofonista Charlie Rouse, dal pianista Joe Knight, dal contrabbassista George Tucker e dal batterista Louis Hayes. Dallo swing brioso ai ritmi latini, fino alle ballate più delicate, la band offre un programma davvero piacevole che include standard (\"I Love You\", \"Just Friends\", \"You're Mine You\"), l'originale di Green \"Bennie Plays The Blues\" e due composizioni della meravigliosa compositrice jazz e collega trombonista Melba Liston (\"Melba's Mood\", \"Green Street\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Love You\u003c\/li\u003e\n\u003cli\u003eMelba's Mood\u003c\/li\u003e\n\u003cli\u003eJust Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eYou're Mine You\u003c\/li\u003e\n\u003cli\u003eBennie Plays The Blues\u003c\/li\u003e\n\u003cli\u003eGreen Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bennie Green","offers":[{"title":"Default Title","offer_id":45938501615795,"sku":"0602458270020","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_9f330fb7-b2ab-4cba-a73d-9c452bc401ea.png?v=1788349282"},{"product_id":"lee-morgan-city-lights-blue-note-tone-poet-series-1lp","title":"City Lights | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombettista Lee Morgan aveva appena 19 anni ed era ancora agli inizi della sua lunga collaborazione con la Blue Note quando incise il suo brillante album swing City Lights nell'agosto del 1957. L'album vedeva la partecipazione di un meraviglioso sestetto con Curtis Fuller al trombone, George Coleman al sassofono contralto e tenore, Ray Bryant al pianoforte, Paul Chambers al contrabbasso e Art Taylor alla batteria. Il brillante giovane prodigio della tromba continuava a far parlare di sé con le sue performance memorabili come membro della Dizzy Gillespie Big Band, e questo eccellente album di 5 brani forniva un'ulteriore prova del suo incontenibile talento. L'album include tre composizioni del mentore di Morgan, Benny Golson (\"City Lights\", \"Tempo De Waltz\", \"Just By Myself\"), oltre a una splendida interpretazione della ballata \"You're Mine You\" e al coinvolgente brano di chiusura \"Kin Folk\" di Gigi Gryce.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCity Lights\u003c\/li\u003e\n\u003cli\u003eTempo De Waltz\u003c\/li\u003e\n\u003cli\u003eYou're Mine You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eJust By Myself\u003c\/li\u003e\n\u003cli\u003eKin Folks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":45938501714099,"sku":"0602458119978","price":39.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/5_cc09a18c-3a9c-4049-bba4-626bd04ac7ed.png?v=1788349283"},{"product_id":"hank-mobley-hank-blue-note-tone-poet-series-1lp","title":"Hank | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl sassofonista tenore Hank Mobley fece la sua prima apparizione sulla Blue Note Records nel 1954 come membro dei Jazz Messengers sotto la guida di Horace Silver e iniziò a dirigere i suoi concerti l'anno successivo, segnando l'inizio di una fruttuosa collaborazione di 15 anni con l'etichetta. Mobley stava ancora definendo la sua identità unica come improvvisatore dallo stile lirico e swingante e come compositore di spicco nei suoi primi dischi per la Blue Note, tra cui l'album del sestetto del 1957 Hank (BLP 1560) con Donald Byrd alla tromba, John Jenkins al sax contralto, Bobby Timmons al pianoforte, Wilbur Ware al contrabbasso e Philly Joe Jones alla batteria. Il lato A presenta due accattivanti brani originali di Mobley: \"Fit For A Hanker\" e \"Hi Groove, Low Feedback\", mentre il lato B offre una vivace e spassosa interpretazione di \"You'd Be So Easy To Love\" di Cole Porter e un'elegante esecuzione della ballata di Styne-Cahn \"Time After Time\", prima di concludersi con una scatenata versione di \"Dance Of The Infidels\" di Bud Powell.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFit For A Hanker\u003c\/li\u003e\n\u003cli\u003eHi Groove, Low Feed-Back\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEasy To Love\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eDance Of The Infidels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hank Mobley","offers":[{"title":"Default Title","offer_id":45938501746867,"sku":"0602465247831","price":39.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_0a950a06-13b6-4439-9519-98448108698b.png?v=1788349283"},{"product_id":"tyrone-washington-natural-essence-blue-note-tone-poet-series-1lp","title":"Natural Essence | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1967\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album di debutto di Tyrone Washington del 1967, Natural Essence, presentò una nuova voce vitale nel jazz, la cui concezione unica poteva spaziare dal post-bop esplorativo al soul jazz basato sul groove, incanalando l'intensa carica dell'avanguardia. Proveniente dal quintetto di Horace Silver, il sassofonista tenore offrì il suo biglietto da visita in questa suggestiva raccolta di sei composizioni originali. Washington aveva fatto la sua prima apparizione alla Blue Note l'anno precedente nell'album di Silver, The Jody Grind, come parte di una sezione di fiati che includeva anche il trombettista Woody Shaw e il sassofonista contralto James Spaulding. Washington avrebbe riunito la stessa formazione per il suo album da leader, insieme a una versatile sezione ritmica composta dal pianista Kenny Barron, dal contrabbassista Reggie Workman e dal batterista Joe Chambers. Tra i brani più significativi dell'album figurano la sinuosa title track, la struggente ballata \"Yearning For Love\", lo swing propulsivo e incalzante di \"Positive Path\" e l'irrefrenabile groove di \"Soul Dance\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNatural Essence\u003c\/li\u003e\n\u003cli\u003eYearning For Love\u003c\/li\u003e\n\u003cli\u003ePositive Path\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSoul Dance\u003c\/li\u003e\n\u003cli\u003eEthos\u003c\/li\u003e\n\u003cli\u003eSong Of Peace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tyrone Washington","offers":[{"title":"Default Title","offer_id":45938501845171,"sku":"0602458422795","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_84.png?v=1788349285"},{"product_id":"donald-byrd-at-the-half-note-cafe-vol-2-blue-note-tone-poet-series-1lp","title":"At The Half Note Café, Vol. 2 | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombettista Donald Byrd era solo all'inizio della sua ventennale carriera discografica con la Blue Note quando, nel novembre del 1960, portò il suo quintetto all'Half Note Café di Manhattan per registrare questo set live di hard bop pieno di soul, swing e molto piacevole, con Pepper Adams al sassofono baritono, Duke Pearson al pianoforte, Laymon Jackson al contrabbasso e Lex Humphries alla batteria. Byrd si era già affermato come uno dei trombettisti di punta della scena e stava cavalcando l'onda di una vena creativa che aveva prodotto gli album in studio Off To The Races, Byrd In Hand, Fuego e Byrd In Flight. At The Half Note Café, Vol. Il secondo album si lancia subito nella vivace e swingante \"Jeannine\" di Pearson e include due brani di Byrd: una versione estesa del brano blues che è il tema principale della band, \"Pure D. Funk\", e la grintosa \"Kimyas\", oltre a una versione orecchiabile dello standard \"When Sonny Gets Blue\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJeannine\u003c\/li\u003e\n\u003cli\u003ePure D. Funk\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eKimyas\u003c\/li\u003e\n\u003cli\u003eWhen Sunny Gets Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":45938502566067,"sku":"0602458740295","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/DonaldByrdHalfNoteCafeVol2LP.png?v=1788349297"},{"product_id":"jonathan-blake-homeward-bound-blue-note-tone-poet-series-1lp","title":"Homeward Bound | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 2021\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album di debutto di Johnathan Blake per la Blue Note, Homeward Bound, del 2021, è una celebrazione della vita e dell'eredità musicale che ha presentato il suo magistrale quintetto di modern jazz, Pentad, composto dal sassofonista contralto Immanuel Wilkins, dal vibrafonista Joel Ross, dal tastierista David Virelles e dal bassista Dezron Douglas. Gli 8 brani sono intrisi di calore e swing, come si può ascoltare nel fulcro emozionante e musicale dell'album, \"Homeward Bound (for Ana Grace)\", un tributo ad Ana Grace Marquez-Greene, figlia del sassofonista Jimmy Greene e della flautista Nelba Marquez-Greene, scomparse nella tragedia di Sandy Hook. Altri brani originali di Blake degni di nota includono \"Rivers \u0026amp; Parks\", un pezzo che evoca gli stili musicali distintivi di Sam Rivers e Aaron Parks, e l'energico \"LLL\", dedicato al batterista Larence \"Lo\" Leathers. L'album ha inoltre attinto a fonti di repertorio insolite, con uno splendido arrangiamento del brano tradizionale sudafricano \"Abiyoyo\" e una coinvolgente cover del successo del 1982 di Joe Jackson, \"Steppin' Out\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn The Beginning Was The Drum\u003c\/li\u003e\n\u003cli\u003eHomeward Bound (For Ana Grace)\u003c\/li\u003e\n\u003cli\u003eRivers \u0026amp; Parks\u003c\/li\u003e\n\u003cli\u003eShakin' The Biscuits\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eAbiyoyo\u003c\/li\u003e\n\u003cli\u003eOn The Break\u003c\/li\u003e\n\u003cli\u003eLLL\u003c\/li\u003e\n\u003cli\u003eSteppin' Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jonathan Blake","offers":[{"title":"Default Title","offer_id":45938502598835,"sku":"0602455845863","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/JohnathanBlakeHomewardBoundLP1000x1000.png?v=1788349298"},{"product_id":"frank-sinatra-in-the-wee-small-hours-blue-note-tone-poet-series-1lp","title":"In The Wee Small Hours | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eCapitol\u003c\/a\u003e, 1955\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album fondamentale di Frank Sinatra del 1955 per la Capitol Records, \"In The Wee Small Hours\", è un capolavoro malinconico sull'amore perduto e il crepacuore, un album cruciale nella carriera del leggendario cantante. Prodotto da Voyle Gilmore, l'album incarnava la crescita artistica di Sinatra verso uno stile vocale più maturo, con splendide interpretazioni di classici del Great American Songbook arricchite da sublimi arrangiamenti di Nelson Riddle. Sinatra concepì \"In The Wee Small Hours\" come un album completo, piuttosto che una raccolta di singoli, creando uno dei primi concept album in assoluto e diventando uno dei primi album pop a essere pubblicato in formato LP da 12 pollici. L'album riscosse un immediato successo di critica e di pubblico, raggiungendo il secondo posto nella classifica di Billboard e rilanciando la carriera di Sinatra dopo la firma con la Capitol Records nel 1953 e la vittoria dell'Oscar per il suo ruolo nel film \"Da qui all'eternità\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn the Wee Small Hours of the Morning\u003c\/li\u003e\n\u003cli\u003eMood Indigo\u003c\/li\u003e\n\u003cli\u003eGlad To Be Unhappy\u003c\/li\u003e\n\u003cli\u003eI Get Along Without You Very Well\u003c\/li\u003e\n\u003cli\u003eDeep In A Dream\u003c\/li\u003e\n\u003cli\u003eI See Your Face Before Me\u003c\/li\u003e\n\u003cli\u003eCan’t We Be Friends\u003c\/li\u003e\n\u003cli\u003eWhen Your Lover Is Gone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWhat Is This Thing Called Love\u003c\/li\u003e\n\u003cli\u003eLast Night When We Were Young\u003c\/li\u003e\n\u003cli\u003eI’ll Be Around\u003c\/li\u003e\n\u003cli\u003eIll Wind\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n\u003cli\u003eDancing On the Ceiling\u003c\/li\u003e\n\u003cli\u003eI’ll Never Be the Same\u003c\/li\u003e\n\u003cli\u003eThis Love of Mine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton \u0026amp; Ken Veeder.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":45938503221427,"sku":"0602478450242","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/FrankSinatra-InTheWeeSmallHoursL.png?v=1788349309"},{"product_id":"duke-jordan-flight-to-jordan-blue-note-tone-poet-series-1lp","title":"Flight To Jordan | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl pianista di Brooklyn Duke Jordan fu in prima linea nella rivoluzione del bebop come membro del quintetto di Charlie Parker alla fine degli anni '40, di cui faceva parte anche un giovane Miles Davis alla tromba. Nel 1960, Jordan registrò il suo unico album da leader per la Blue Note, Flight To Jordan, un esemplare disco hard bop con un quintetto di prim'ordine composto da Dizzy Reece alla tromba, Stanley Turrentine al sassofono tenore, Reggie Workman al contrabbasso e Art Taylor alla batteria. L'album presentava sei pregevoli composizioni originali di Jordan, tra cui la title track in tonalità minore, l'elegante ballata \"Starbrite\", la melodia di ispirazione gospel \"Deacon Joe\" e la dalle sonorità latine \"Si-Joya\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFlight To Jordan\u003c\/li\u003e\n\u003cli\u003eStarbrite\u003c\/li\u003e\n\u003cli\u003eSquawkin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eDeacon Joe\u003c\/li\u003e\n\u003cli\u003eSplit Quick\u003c\/li\u003e\n\u003cli\u003eSi-Joya\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Duke Jordan","offers":[{"title":"Default Title","offer_id":45938503254195,"sku":"0602455845955","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_4002bb1a-a90b-4133-b1ff-610dca8ab409.png?v=1788349310"},{"product_id":"sheila-jordan-portrait-of-sheila-blue-note-tone-poet-series-1lp","title":"Portrait | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLa cantante Sheila Jordan, nata a Detroit, si trasferì a New York nel 1951 e divenne una figura di spicco della scena jazz, stringendo amicizia con Charlie Parker e studiando con artisti del calibro di Charles Mingus e Lennie Tristano. Jordan presentò il suo inimitabile stile vocale nel suo album di debutto del 1962, Portrait Of Sheila, uno dei soli due album vocali registrati per la Blue Note in quel periodo. Accompagnata da un trio con Barry Galbraith alla chitarra, Steve Swallow al contrabbasso e Denzil Best alla batteria, Jordan offrì deliziose versioni di brani del repertorio e standard jazz, tra cui interpretazioni swing di \"Falling In Love With Love\" di Rodgers \u0026amp; Hart e \"Let's Face The Music And Dance\" di Irving Berlin; espressive ballate come \"I'm A Fool To Want You\" di Frank Sinatra e \"If You Could See Me Now\" di Tadd Dameron; e una magistrale versione per duetto voce-basso del classico hard bop soul di Bobby Timmons \"Dat Dere\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFalling In Love With Love\u003c\/li\u003e\n\u003cli\u003eIf You Could See Me Now\u003c\/li\u003e\n\u003cli\u003eAm I Blue\u003c\/li\u003e\n\u003cli\u003eDat Dere\u003c\/li\u003e\n\u003cli\u003eWhen The World Was Young\u003c\/li\u003e\n\u003cli\u003eLet's Face The Music And Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eLaugh, Clown, Laugh\u003c\/li\u003e\n\u003cli\u003eWho Can I Turn To Now\u003c\/li\u003e\n\u003cli\u003eBaltimore Oriole\u003c\/li\u003e\n\u003cli\u003eI'm A Fool To Want You\u003c\/li\u003e\n\u003cli\u003eHum Drum Blues\u003c\/li\u003e\n\u003cli\u003eWillow Weep For Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sheila Jordan","offers":[{"title":"Default Title","offer_id":45938503352499,"sku":"0602455845931","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_12444711-d549-435f-a282-7df5b89fa23f.png?v=1788349311"},{"product_id":"ike-quebec-the-complete-blue-note-45-sessions","title":"Complete Blue Note 45 Sessions | 3LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1987\u003cimg\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"The Complete Blue Note 45 Sessions of Ike Québec\" raccoglie un corpus di lavori fenomenale, realizzato tra il 1959 e il 1962 da un protagonista chiave della storia della Blue Note. Il sassofonista aveva registrato una serie di 78 giri per Alfred Lion negli anni '40 e aveva anche lavorato come talent scout, incoraggiando Lion a registrare figure importanti della nascente scena bebop, tra cui Thelonious Monk e Bud Powell. Dopo un periodo difficile negli anni '50, durante il quale Québec si allontanò dalla scena, Lion riallacciò i rapporti con l'amico e iniziò a far riemergere la musica di Québec agli appassionati di jazz nel 1959 con una serie di 45 giri per jukebox che furono ben accolti e rivelarono uno stilista formidabile, al culmine della sua carriera. Il suo suono, potente ma al tempo stesso estremamente rilassato, si adattava perfettamente a un'ampia gamma di brani, dalle ballate al blues. Il successo del ritorno di Québec ispirò Lion a proseguire, registrando quattro sessioni di registrazione con una formazione di musicisti in continua evoluzione, che diedero vita a brani classici come \"A Light Reprieve\", \"Blue Monday\" e \"What A Difference A Day Makes\". Québec avrebbe poi registrato anche diversi album, tra cui i classici intramontabili del soul jazz Heavy Soul, Blue \u0026amp; Sentimental e Bossa Nova Soul Samba, coronando una prolifica carriera che sarebbe stata tragicamente interrotta dalla sua morte per cancro ai polmoni all'età di 44 anni nel 1963.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eQuébec\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Light Reprieve\u003c\/li\u003e\n\u003cli\u003eBuzzard Lope\u003c\/li\u003e\n\u003cli\u003eBlue Monday\u003c\/li\u003e\n\u003cli\u003eZonky\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLater For The Rock\u003c\/li\u003e\n\u003cli\u003eSweet And Lovely\u003c\/li\u003e\n\u003cli\u003eDear John\u003c\/li\u003e\n\u003cli\u003eBlue Friday\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEverything Happens To Me [Short Version]\u003c\/li\u003e\n\u003cli\u003eMardi Gras\u003c\/li\u003e\n\u003cli\u003eWhat A Difference A Day Makes\u003c\/li\u003e\n\u003cli\u003eFor All We Know\u003c\/li\u003e\n\u003cli\u003eIll Wind\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf I Could Be With You (One Hour Tonight)\u003c\/li\u003e\n\u003cli\u003eI've Got The World On A String\u003c\/li\u003e\n\u003cli\u003eMe 'N Mabe\u003c\/li\u003e\n\u003cli\u003eEverything Happens To Me [Long Version]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP3\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Long Has This Been Going On\u003c\/li\u003e\n\u003cli\u003eWith A Song In My Heart\u003c\/li\u003e\n\u003cli\u003eImagination\u003c\/li\u003e\n\u003cli\u003eWhat Is There To Say?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Is No Greater Love\u003c\/li\u003e\n\u003cli\u003eAll Of Me\u003c\/li\u003e\n\u003cli\u003eIntermezzo\u003c\/li\u003e\n\u003cli\u003eBut Not For Me\u003c\/li\u003e\n\u003cli\u003eAll The Way\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eProduced for release by Joe Harley, the 3-LP vinyl set is all-analog and cut directly from Rudy Van Gelder’s original master tapes by Kevin Gray. Pressed on 180g vinyl at RTI, the LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an insightful, in-depth essay by scholar Loren Schoenberg.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ike Quebec","offers":[{"title":"Default Title","offer_id":45938503418035,"sku":"0602475180418","price":83.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_6d1720b3-26c3-4fe6-b06e-10be8387853e.png?v=1788349314"},{"product_id":"stanley-turrentine-in-memory-of-blue-note-tone-poet-series-1lp","title":"In Memory Of | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato nel 1964, lo straordinario album di Stanley Turrentine, In Memory Of, rimase inedito fino al 1980, quando il produttore Michael Cuscuna lo scoprì negli archivi della Blue Note e lo pubblicò come parte della serie LT. Un lavoro ispirato che spaziava tra hard bop swing, splendide ballate, ritmi africani e altro ancora. La registrazione vedeva il talentuoso sassofonista tenore alla guida di un formidabile sestetto con Blue Mitchell alla tromba, Curtis Fuller al trombone, Herbie Hancock al pianoforte, Bob Cranshaw al contrabbasso e Otis \"Candy\" Finch alla batteria. Tra i momenti salienti spiccano l'apertura vivace e swingante di \"Fried Pies\", scritta da Wes Montgomery, una splendida interpretazione della ballata di Randy Weston \"In Memory Of\" e l'irresistibile \"Niger Mambo\" del musicista e compositore nigeriano Bobby Benson.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFried Pies\u003c\/li\u003e\n\u003cli\u003eIn Memory Of\u003c\/li\u003e\n\u003cli\u003eNiger Mambo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eMake Someone Happy\u003c\/li\u003e\n\u003cli\u003eJodi's Cha Cha\u003c\/li\u003e\n\u003cli\u003eSunday In New York\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Stanley Turrentine","offers":[{"title":"Default Title","offer_id":45938503844019,"sku":"0602455716088","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/E0EF6A57-2915-4FC3-827C-9B7E5C529043.png?v=1788349321"},{"product_id":"bobby-hutcherson-montara-blue-note-tone-poet-series-1lp","title":"Montara | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1975\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMontara, un album che rappresenta l'apice della straordinaria creatività e varietà di Bobby Hutcherson negli anni '70 per la Blue Note, è un disco che infonde buon umore, in cui il grande vibrafonista evoca un'inebriante fusione di latin jazz e sonorità fusion. Registrato nella città natale di Hutcherson, Los Angeles, l'album vanta un cast di talentuosi musicisti tra cui Willie Bobo, Blue Mitchell, Bobby Matos, Ernie Watts, Harvey Mason, Plas Johnson, Fred Jackson, Larry Nash e Chuck Domanico. La straordinaria virtuosità e la raffinata musicalità di Hutcherson sono pienamente evidenti in questo lavoro, che spazia dai ritmi incalzanti di \"La Malanga\", \"Yuyo\" e \"Oye Como Va\" alle ricche armonie e alle ammalianti sonorità di \"Montara\", \"Love Song\" e \"Little Angel\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCamel Rise\u003c\/li\u003e\n\u003cli\u003eMontara\u003c\/li\u003e\n\u003cli\u003e(Se Acabo) La Malanga\u003c\/li\u003e\n\u003cli\u003eLove Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eLittle Angel\u003c\/li\u003e\n\u003cli\u003eYuyo\u003c\/li\u003e\n\u003cli\u003eOye Como Va\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bobby Hutcherson","offers":[{"title":"Default Title","offer_id":45938503876787,"sku":"0602478496738","price":39.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_75.png?v=1788349322"},{"product_id":"don-cherry-complete-communion-blue-note-tone-poet-series-1lp","title":"Complete Communion | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1966\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eI fondatori della Blue Note, Alfred Lion e Francis Wolff, avevano orecchie e menti aperte, come dimostrarono più volte nei primi anni '60, documentando alcuni dei musicisti più audaci della scena jazz moderna, tra cui Andrew Hill, Eric Dolphy e Tony Williams. Ma fu solo con l'arrivo di Ornette Coleman e Don Cherry nell'etichetta nel 1965 che abbracciarono pienamente l'avanguardia. Coleman e Cherry avevano fatto la storia insieme anni prima, come membri del rivoluzionario quartetto di Coleman che sconvolse il mondo del jazz nel 1959, quando si esibì al Five Spot Café di New York. Sebbene Cherry avesse co-diretto l'album The Avant-Garde con John Coltrane per la Atlantic Records nel 1961, la sua carriera da leader iniziò con il suo audace debutto alla Blue Note, Complete Communion, registrato nel dicembre del 1965 (Coleman aveva documentato il suo nuovo trio dal vivo al Golden Circle di Stoccolma per il suo debutto alla Blue Note solo poche settimane prima). In due lunghe suite che occupano un intero lato del disco – \"Complete Communion\" e \"Elephantasy\" – Cherry dispiega la sua ampia visione musicale con un quartetto di intrepidi compagni: il sassofonista tenore Leandro \"Gato\" Barbeiri, il contrabbassista Henry Grimes e il batterista Edward Blackwell.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComplete Communion\u003c\/li\u003e\n\u003cli\u003eAnd Now\u003c\/li\u003e\n\u003cli\u003eGolden Heart\u003c\/li\u003e\n\u003cli\u003eRemembrance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eElephantasy\u003c\/li\u003e\n\u003cli\u003eOur Feelings\u003c\/li\u003e\n\u003cli\u003eBishmallah\u003c\/li\u003e\n\u003cli\u003eWind, Sand And Stars\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Don Cherry","offers":[{"title":"Default Title","offer_id":45938504138931,"sku":"0602458270082","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/DC_CC_PROD_SHOT_1000x1000_7402fa56-4151-429b-874e-07aa02f78cbb.png?v=1788349327"},{"product_id":"chico-hamilton-chico-hamilton-quintet-blue-note-tone-poet-series-1lp","title":"Chico Hamilton Quintet | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/pacific\"\u003ePacific Jazz\u003c\/a\u003e, 1955\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUn gioiello del jazz da camera della West Coast, questa registrazione del 1955 per la Pacific Jazz documenta lo straordinario quintetto del batterista Chico Hamilton, con Buddy Collette agli strumenti a fiato, Jim Hall alla chitarra, Fred Katz al violoncello e Carson Smith al contrabbasso. L'ensemble creò un suono singolare grazie alla sua strumentazione unica e alle interpretazioni equilibrate e appassionate di arrangiamenti ricchi di sfumature e inventivi di standard e brani originali dei membri della band. Il lato A è composto da una serie di registrazioni in studio introspettive, tra cui brani evocativi di Collette (\"Blue Sands\") e Katz (\"The Sage\"), oltre a un arrangiamento malinconico di \"My Funny Valentine\". Il lato B presenta il lato più focoso del quintetto con una serie di registrazioni dal vivo catturate allo Strollers di Long Beach, in California. La band oscilla potentemente dal brano d'apertura \"I Want To Be Happy\" al brano di chiusura \"Buddy Boo\", con una digressione nell'astrazione nel pezzo completamente improvvisato \"Free Form\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Nice Day\u003c\/li\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003eBlue Sands\u003c\/li\u003e\n\u003cli\u003eThe Sage\u003c\/li\u003e\n\u003cli\u003eThe Morning After\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI Want To Be Happy\u003c\/li\u003e\n\u003cli\u003eSpectacular\u003c\/li\u003e\n\u003cli\u003eFree Form\u003c\/li\u003e\n\u003cli\u003eWalking Carson Blues\u003c\/li\u003e\n\u003cli\u003eBuddy Boo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Chico Hamilton","offers":[{"title":"Default Title","offer_id":45938504204467,"sku":"0602455716019","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/ChicoHamiltonQuintet_PROD_SHOT_1000x1000_1dcda57b-29d4-4d51-b8a4-f92307f2861e.png?v=1788349328"},{"product_id":"jackie-mclean-jacknife-blue-note-tone-poet-series-1lp","title":"Jacknife | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'evocativo album di Jackie McLean del 1965, Jacknife, cattura il sassofonista contralto in una fase post-bop all'avanguardia. La sessione vide la partecipazione di due trombettisti, Lee Morgan e Charles Tolliver, che si esibiscono insieme con grande efficacia nel groovy \"Soft Blue\" di Morgan, alternandosi poi sotto i riflettori. McLean riunì anche una sezione ritmica di grande talento per l'occasione, composta dal pianista Larry Willis, dal contrabbassista Larry Ridley e dal batterista Jack DeJohnette. Il suono infuocato di McLean anima un'ampia gamma di brani, dalle ampie esplorazioni modali di \"On The Nile\" di Tolliver ai ritmi vorticosi di \"Climax\" di DeJohnette, fino a \"Blue Fable\" dello stesso McLean, che offre una melodia sinuosa su atmosfere mutevoli prima di assestarsi in uno swing profondo e avvolgente per gli enfatici assoli di McLean e Morgan.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn The Nile\u003c\/li\u003e\n\u003cli\u003eClimax\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSoft Blue\u003c\/li\u003e\n\u003cli\u003eJacknife\u003c\/li\u003e\n\u003cli\u003eBlue Fable\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jackie McLean","offers":[{"title":"Default Title","offer_id":45938504433843,"sku":"0602455845917","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_b1aeaf22-97a8-4dec-bad3-26fc1be7c7e1.png?v=1788349332"},{"product_id":"sam-rivers-a-new-conception-blue-note-tone-poet-series-1lp","title":"A New Conception | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1967\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo aver pubblicato due straordinari album di materiale originale con il suo notevole debutto Fuchsia Swing Song (1964) e il successivo Contours (1965), il polistrumentista Sam Rivers intraprese una nuova direzione con il suo terzo album per la Blue Note, A New Conception (1966), presentando una serie di standard che ricevettero interpretazioni avvincenti da un quartetto composto da Hal Galper al pianoforte, Herbert Lewis al contrabbasso e Steve Ellington alla batteria. Nonostante il repertorio ben noto – che include i classici \"When I Fall In Love\", \"I'll Never Smile Again\", \"Detour Ahead\" e \"Secret Love\" – la sorprendente originalità di Rivers è assolutamente evidente in ognuna di queste sette performance in cui lo si può ascoltare al sassofono tenore, al sassofono soprano e al flauto.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n\u003cli\u003eI'll Never Smile Again\u003c\/li\u003e\n\u003cli\u003eDetour Ahead\u003c\/li\u003e\n\u003cli\u003eThat's All\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWhat A Difference A Day Makes\u003c\/li\u003e\n\u003cli\u003eTemptation\u003c\/li\u003e\n\u003cli\u003eSecret Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sam Rivers","offers":[{"title":"Default Title","offer_id":45938504761523,"sku":"0602455716101","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_5674e34d-ef3e-4c88-b923-b803d5f31885.png?v=1788349336"},{"product_id":"dexter-gordon-landslide-blue-note-tone-poet-series-1lp","title":"Landslide | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDexter Gordon visse una rinascita artistica con il suo memorabile ritorno alla Blue Note nei primi anni '60, che produsse numerosi album diventati dei classici intramontabili. Nel 1980, il produttore Michael Cuscuna frugò negli archivi per compilare Landslide, una raccolta pubblicata come parte della serie LT, composta da brani inediti che il leggendario sassofonista aveva registrato per l'etichetta durante tre diverse sessioni tra il 1961 e il 1962 con un cast variegato di musicisti, tra cui i trombettisti Tommy Turrentine e Dave Burns; i pianisti Kenny Crew, Sir Charles Thompson e Sonny Clark; i bassisti Paul Chambers, Al Lucas e Ron Carter; e i batteristi Philly Joe Jones e Willie Bobo. La raccolta di 7 brani è una dimostrazione della creatività improvvisativa e dello swing di Gordon, nonché della sua brillante capacità di comporre ballate.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLandslide\u003c\/li\u003e\n\u003cli\u003eLove Locked Out\u003c\/li\u003e\n\u003cli\u003eYou Said It\u003c\/li\u003e\n\u003cli\u003eSerenade In Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eBlue Gardenia\u003c\/li\u003e\n\u003cli\u003eSix Bits Jones\u003c\/li\u003e\n\u003cli\u003eSecond Balcony Jump\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dexter Gordon","offers":[{"title":"Default Title","offer_id":45938504827059,"sku":"0602455600721","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_eb20cc35-c9cb-43b8-9710-66a59ed5b384.png?v=1788349337"},{"product_id":"andrew-hill-andrew-blue-note-tone-poet-series-1lp","title":"Andrew!!! | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1964\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl fondatore della Blue Note, Alfred Lion, considerava Andrew Hill un pianista e compositore altrettanto originale e importante quanto Thelonious Monk e iniziò a registrare le sue opere con fervore nel 1963. Hill, dal canto suo, non deluse le aspettative. Il pianista esplose in un impeto di creatività che produsse cinque album straordinari in soli otto mesi: Black Fire, Smoke Stack, Judgment!, Point of Departure e Andrew!!! Forse oscurato dal suo predecessore Point of Departure, ampiamente considerato il capolavoro di Hill, Andrew!!! del 1964 è rimasto un album ingiustamente sottovalutato nella magnifica discografia di Hill per la Blue Note. Con un quintetto che includeva il sassofonista della Sun Ra Arkestra John Gilmore, insieme al vibrafonista Bobby Hutcherson, al contrabbassista Richard Davis e al batterista Joe Chambers, Hill presentò sei delle sue mutevoli composizioni, tra cui \"The Groits\" e \"Black Monday\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Groits\u003c\/li\u003e\n\u003cli\u003eBlack Monday\u003c\/li\u003e\n\u003cli\u003eDuplicity\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLe Serpent Qui Danse\u003c\/li\u003e\n\u003cli\u003eNo Doubt\u003c\/li\u003e\n\u003cli\u003eSymmetry\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrew Hill","offers":[{"title":"Default Title","offer_id":45938505810099,"sku":"0602458119985","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_22f2f482-c5af-4540-8a27-e48696ea5e88.png?v=1788349350"},{"product_id":"grachan-moncur-iii-some-other-stuff-blue-note-tone-poet-series-1lp","title":"Some Other Stuff | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo essere apparso negli album innovativi di Jackie McLean, One Step Beyond e Destination… Out!, nel 1963, il trombonista Grachan Moncur III fece il suo avvincente debutto da solista nello stesso anno con Evolution. Quando tornò al Van Gelder Studio l'anno successivo per registrare il seguito, Moncur si era spinto ancora più a fondo nelle acque sperimentali. Some Other Stuff era un album audacemente d'avanguardia e vedeva il trombonista affiancato da un gruppo di esploratori, tra cui il sassofonista Wayne Shorter, il pianista Herbie Hancock, il contrabbassista Cecil McBee e il batterista Tony Williams. La raccolta di brani originali di Moncur comprendeva quattro pezzi di ampio respiro, tra cui l'apertura in forma libera \"Gnostic\", l'astutamente swingante \"Thandiwa\", il giocosamente ritmico \"The Twins\", un ritratto dei suoi fratelli gemelli, e il brano per batteria \"Nomadic\", una vetrina per il prodigioso talento di Williams.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGnostic\u003c\/li\u003e\n\u003cli\u003eThandiwa\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Twins\u003c\/li\u003e\n\u003cli\u003eNomadic\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Grachan Moncur III","offers":[{"title":"Default Title","offer_id":45938506629299,"sku":"0602455421487","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_35272aac-c790-4ec8-97a9-5a1386d26df8.png?v=1788349360"},{"product_id":"leo-parker-rollin-with-leo-blue-note-tone-poet-series-1lp","title":"Rollin’ With Leo | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLeo Parker fu il primo sassofonista baritono della scena bebop e raggiunse la notorietà nella band di Billy Eckstine come membro della sezione di sassofoni \"Unholy Four\", che includeva anche Sonny Stitt, Dexter Gordon e Gene Ammons a metà degli anni '40. Problemi personali misero Parker da parte negli anni '50, ma nel 1961 fece un tragico e breve ritorno alla Blue Note, registrando due eccellenti sessioni – Let Me Tell You 'Bout It e Rollin' With Leo – prima di morire per un attacco di cuore pochi mesi dopo, all'età di 36 anni. Rollin' With Leo era stato preparato per la pubblicazione, con tanto di copertina disegnata da Reid Miles, ma finì per essere accantonato e pubblicato solo nel 1980 come parte della serie LT. Il set di 8 brani include pezzi originali di Parker dal ritmo incalzante come \"The Lion's Roar\" e \"Jumpin' Leo\", eseguiti da una band composta da Dave Burns alla tromba, Bill Swindell al sassofono tenore, Johnny Acea al pianoforte, Stan Conover e Al Lucas al contrabbasso, e Wilbert Hogan e Purnell Rice alla batteria.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues In\u003c\/li\u003e\n\u003cli\u003eBewitched\u003c\/li\u003e\n\u003cli\u003eWhen You're Smiling\u003c\/li\u003e\n\u003cli\u003eCool Bunny\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDiannes' Dilemma\u003c\/li\u003e\n\u003cli\u003eStompin' At The Savoy\u003c\/li\u003e\n\u003cli\u003eWhat Is This Thing Called Love\u003c\/li\u003e\n\u003cli\u003eBlues Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Leo Parker","offers":[{"title":"Default Title","offer_id":45938506662067,"sku":"0602455600752","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_dd2bc393-f7a6-4fa0-84f9-de4d218fc9e4.png?v=1788349361"},{"product_id":"kenny-burrell-with-art-blakey-on-view-at-the-five-spot-cafe-the-complete-masters-blue-note-tone-poet-series-3lp","title":"On View at the Five Spot Café | 3LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1959\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl chitarrista Kenny Burrell aveva già raggiunto lo status di stella nascente con diversi album di successo pubblicati dalla Blue Note quando, il 25 agosto 1959, entrò nello storico jazz club newyorkese The Five Spot Café per registrare On View At The Five Spot Café. La band che Burrell aveva riunito per l'occasione era composta da musicisti di prim'ordine: Art Blakey alla batteria, Tina Brooks al sassofono tenore, Roland Hanna e Bobby Timmons al pianoforte e Ben Tucker al contrabbasso. L'atmosfera era rilassata e ricca di soul, ma la musica era incandescente e i groove profondi in quella calda serata estiva di pura estasi hard bop. La nuova edizione ampliata in vinile 3 LP di Tone Poet di On View At The Five Spot Café: The Complete Masters offre all'ascoltatore il posto migliore in sala e segna la prima volta che le registrazioni complete di Burrell di quella magica serata vengono rese disponibili in qualsiasi formato, incluse 6 tracce inedite. Prodotto per la pubblicazione da Joe Harley, il vinile è interamente analogico e inciso direttamente dai nastri master originali di Rudy Van Gelder da Kevin Gray. Stampato su vinile da 180 g presso RTI, il triplo LP è confezionato in una lussuosa copertina a tre ante che include un libretto con foto inedite di Francis Wolff, un saggio illuminante di Syd Schwartz e una nuova intervista con lo stesso Burrell, Don Was, presidente della Blue Note, in cui riflette sull'album e sul periodo storico in cui è uscito.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction By Kenny Burrell \/ Birks' Works\u003c\/li\u003e\n\u003cli\u003eHallelujah\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLady Be Good\u003c\/li\u003e\n\u003cli\u003eLover Man\u003c\/li\u003e\n\u003cli\u003e36-23-36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwingin'\u003c\/li\u003e\n\u003cli\u003eIf You Could See Me Now\u003c\/li\u003e\n\u003cli\u003eBeef Stew Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Next Time You See Me, Things Won't Be The Same\u003c\/li\u003e\n\u003cli\u003eThe Take Off\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP3\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBirks' Works\u003c\/li\u003e\n\u003cli\u003eLady Be Good\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Walked In\u003c\/li\u003e\n\u003cli\u003e36-23-36 \/ The Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kenny Burrell, Art Blakey","offers":[{"title":"Default Title","offer_id":45938506825907,"sku":"0602475022817","price":83.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_46.png?v=1788349364"},{"product_id":"art-pepper-quartet-modern-art-blue-note-tone-poet-series-1lp","title":"Modern Art (Intro) | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato a Hollywood, in California, tra due sessioni nel dicembre 1956 e nel gennaio 1957, Modern Art di Art Pepper per l'etichetta Intro fu un esempio perfetto di jazz della West Coast, caratterizzato dalle sue melodiche acrobazie al sassofono contralto su basi di cool jazz, bebop e blues, in compagnia di un quartetto con Russ Freeman al pianoforte, Ben Tucker al contrabbasso e Chuck Flores alla batteria. Questa raccolta di brani originali e standard, dal ritmo incalzante, si apre con \"Blues In\" di Pepper, si chiude con \"Blues Out\" e include sublimi versioni di \"Bewitched\", \"Stompin' At The Savoy\", \"What Is This Thing Called Love\" e altre perle.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues In\u003c\/li\u003e\n\u003cli\u003eBewitched\u003c\/li\u003e\n\u003cli\u003eWhen You're Smiling\u003c\/li\u003e\n\u003cli\u003eCool Bunny\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDiannes' Dilemma\u003c\/li\u003e\n\u003cli\u003eStompin' At The Savoy\u003c\/li\u003e\n\u003cli\u003eWhat Is This Thing Called Love\u003c\/li\u003e\n\u003cli\u003eBlues Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Art Pepper","offers":[{"title":"Default Title","offer_id":45938507120819,"sku":"0602448498519","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_9c590a66-e842-466b-af76-00c2ae75ce31.png?v=1788349367"},{"product_id":"teddy-edwards-sunset-eyes-pacific-jazz-blue-note-tone-poet-series-1lp","title":"Sunset Eyes | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1960\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTeddy Edwards, sassofonista tenore poco conosciuto ma meritevole di maggiore riconoscimento, realizzò due album per la Pacific Jazz, tra cui l'impressionante Sunset Eyes del 1960, una vetrina per il suo suono ricco, potente e pieno di vitalità, che smentisce qualsiasi preconcetto secondo cui tutti i musicisti jazz della West Coast mantenessero un atteggiamento musicale uniformemente placido. L'album è tratto da tre sessioni di registrazione con tre diversi quartetti, tra cui la band con cui Edwards collaborava all'epoca, composta dal pianista Joe Castro, dal contrabbassista Leroy Vinnegar e dal batterista Billy Higgins. Tra i musicisti presenti figurano anche i pianisti Ronnie Ball e Amos Trice, il contrabbassista Ben Tucker e il batterista Al Levitt. Tra i brani più significativi spiccano le composizioni originali di Edwards, come il brano d'apertura \"Tempo de Blues\", \"Takin' Off\" e la title track, \"Vintage '57\" di Vinnegar, e la straordinaria interpretazione della ballata \"I Hear A Rhapsody\". e vantava un cast di musicisti che includeva il pianista Joe Castro, il bassista Leroy Vinnegar, il batterista Billy Higgins e altri.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTempo De Blues\u003c\/li\u003e\n\u003cli\u003eVintage '57\u003c\/li\u003e\n\u003cli\u003eI Hear A Rhapsody\u003c\/li\u003e\n\u003cli\u003eUp In Teddy's New Flat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunset Eyes\u003c\/li\u003e\n\u003cli\u003eTeddy's Tune\u003c\/li\u003e\n\u003cli\u003eTakin' Off\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Teddy Edwards","offers":[{"title":"Default Title","offer_id":45938507186355,"sku":"0602455600684","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_00902c94-dce9-4cb1-8e5a-b873f5e37d98.png?v=1788349368"},{"product_id":"curtis-amy-frank-butler-groovin-blue-blue-note-tone-poet-series-1lp","title":"Groovin' Blue | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl sassofonista tenore Curtis Amy, nato a Houston, in Texas, si trasferì a Los Angeles a metà degli anni '50, dove si integrò nella scena jazz della West Coast e iniziò a registrare per la Pacific Jazz nel 1960. La sua seconda registrazione per l'etichetta fu Groovin' Blue, una sessione dal ritmo incalzante, co-diretta dal batterista Frank Butler, che fu anche una delle prime registrazioni con il vibrafonista Bobby Hutcherson, all'epoca appena diciannovenne. A completare la formazione in questo eccellente album di 6 brani originali di Amy ci sono il trombettista Carmell Jones, al suo debutto discografico, il pianista Frank Strazzeri e il contrabbassista Jimmy Bond. Tra i brani più significativi spiccano l'energica traccia d'apertura \"Gone Into It\", la blueseggiante title track e la ballata \"Beautiful You\", che mette in mostra lo straordinario lirismo di Hutcherson.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGone Into It\u003c\/li\u003e\n\u003cli\u003eAnnsome\u003c\/li\u003e\n\u003cli\u003eBobblin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGroovin' Blue\u003c\/li\u003e\n\u003cli\u003eBeautiful You\u003c\/li\u003e\n\u003cli\u003eVery Frank\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Curtis Amy \u0026 Frank Butler","offers":[{"title":"Default Title","offer_id":45938508595379,"sku":"0602455421456","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_19.png?v=1788349385"},{"product_id":"dizzy-reece-blues-in-trinity-lp-blue-note-tone-poet-series","title":"Blues in Trinity | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca data-mce-href=\"\/collections\/blue-note\" href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombettista Dizzy Reece, nato a Kingston, in Giamaica, si trasferì a Londra all'età di 17 anni e iniziò a esibirsi in tutta Europa, soprattutto a Parigi, dove suonò con artisti del calibro di Don Byas e Kenny Clarke. Reece conquistò anche la simpatia di Miles Davis e Sonny Rollins, che diffusero la voce su un nuovo, promettente trombettista della scena europea. Così, quando il trombettista Donald Byrd e il batterista Art Taylor passarono per Parigi in tournée nel 1958, cercarono Reece e riuscirono persino a registrare insieme in uno studio londinese per un vertice jazz anglo-americano che sarebbe diventato l'album di debutto di Reece per la Blue Note: Blues In Trinity. La registrazione fu prodotta da Tony Hall, che aveva già inciso diverse sessioni con Reece per l'etichetta Tempo della Decca Records, sessioni che avevano attirato l'attenzione di Alfred Lion, e fu raggiunto un accordo con la Blue Note per la pubblicazione del nuovo album. Reece offre performance grintose in tutto l'album, inclusa la splendida ballata \"I Had The Craziest Dream\", con Byrd che si unisce a lui per un amichevole scambio di battute in \"Close-Up\" e \"Color Blind\". Taylor è il punto di riferimento della sezione ritmica, affiancato dal pianista britannico Terry Shannon e dal bassista canadese Lloyd Thompson, ma il vero asso nella manica dell'album è senza dubbio il sassofonista tenore britannico Tubby Hayes, la cui presenza è imponente in brani di spicco come l'apertura \"Blues In Trinity\" e il classico di Monk \"'Round About Midnight\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues In Trinity\u003c\/li\u003e\n\u003cli\u003eI Had The Craziest Dream\u003c\/li\u003e\n\u003cli\u003eClose-Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShepherd’s Serenade\u003c\/li\u003e\n\u003cli\u003eColor Blind\u003c\/li\u003e\n\u003cli\u003e‘Round About Midnight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dizzy Reece","offers":[{"title":"Default Title","offer_id":45938508890291,"sku":"0602455187598","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_4a5cdb2a-c423-47ec-9830-17e2335dd338.png?v=1788349389"},{"product_id":"andrew-hill-grass-roots-blue-note-tone-poet-series-lp","title":"Grass Roots | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1968\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album Grass Roots di Andrew Hill del 1968 si distingue come uno dei dischi più immediatamente accessibili nell'affascinante discografia del pianista per la Blue Note. Con la partecipazione di Lee Morgan, Booker Ervin, Ron Carter e Freddie Waits, questa raccolta di 5 brani originali di Hill è permeata da un profondo senso di sentimento, ritmo e lirismo.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGrass Roots\u003c\/li\u003e\n\u003cli\u003eVenture Inward\u003c\/li\u003e\n\u003cli\u003eMira\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoul Special\u003c\/li\u003e\n\u003cli\u003eBayou Red\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrew Hill","offers":[{"title":"Default Title","offer_id":45938509119667,"sku":"0602455187697","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/5.png?v=1788349391"},{"product_id":"the-jazz-crusaders-freedom-sound-pacific-jazz-blue-note-tone-poet-series-lp","title":"Freedom Sound | 2LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFreedom Sound, l'album di debutto del 1961 dei Jazz Crusaders, diede inizio a una prolifica e fortunata collaborazione decennale con la Pacific Jazz. La band, fondata a Houston, in Texas, e composta da Stix Hooper, Joe Sample, Wayne Henderson, Wilton Felder e Jimmy Bond, fuse aspirazioni jazz con radici R\u0026amp;B per creare un suono accattivante.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Geek\u003c\/li\u003e\n\u003cli\u003eM.J.S. Funk\u003c\/li\u003e\n\u003cli\u003eThat's It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Sound\u003c\/li\u003e\n\u003cli\u003eTheme From Exodus\u003c\/li\u003e\n\u003cli\u003eCoon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jazz Crusaders","offers":[{"title":"Default Title","offer_id":45938509217971,"sku":"0602455187758","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_b5a62fee-b1c1-4dc6-bbae-b200d4535670.png?v=1788349392"},{"product_id":"freddie-roach-good-move-lp-blue-note-tone-poet-series","title":"Good Move | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1963\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo aver partecipato agli album di Ike Québec pubblicati dalla Blue Note, l'organista Hammond B3 Freddie Roach realizzò per l'etichetta una serie di classici del soul jazz, tra cui l'eccezionale album del 1963 \"Good Move\", con Blue Mitchell alla tromba, Hank Mobley al sassofono tenore, Eddie Wright alla chitarra e Clarence Johnston alla batteria. Questa edizione stereo in vinile Tone Poet è stata prodotta da Joe Harley, masterizzata da Kevin Gray a partire dai nastri analogici originali, stampata su vinile da 180 g presso RTI e confezionata in una lussuosa copertina apribile.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Ain't Necessarily So\u003c\/li\u003e\n\u003cli\u003eWhen Malindy Sings\u003c\/li\u003e\n\u003cli\u003ePastel\u003c\/li\u003e\n\u003cli\u003eWine, Wine, Wine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eOn Our Way Up\u003c\/li\u003e\n\u003cli\u003eT'Ain't What You Do\u003c\/li\u003e\n\u003cli\u003eLots Of Lovely Love\u003c\/li\u003e\n\u003cli\u003eI.Q. Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Freddie Roach","offers":[{"title":"Default Title","offer_id":45938510102707,"sku":"0602455059734","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_b642391b-2850-4c66-be18-edef3149fba2.png?v=1788349403"},{"product_id":"hank-mobley-a-slice-of-the-top-lp-blue-note-tone-poet-series","title":"A Slice Of The Top | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1966\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHank Mobley si ispirò a \"Birth of the Cool\" per il suo album del 1966 \"A Slice of the Top\", che presentava gli arrangiamenti di Duke Pearson per un ottetto a cui si aggiungevano eufonio e tuba, in un gruppo composto da James Spaulding al sax contralto, Lee Morgan alla tromba, McCoy Tyner al pianoforte, Bob Cranshaw al contrabbasso e Billy Higginson alla batteria. Questa edizione stereo in vinile Tone Poet è stata prodotta da Joe Harley, masterizzata da Kevin Gray dai nastri analogici originali, stampata su vinile da 180 g presso RTI e confezionata in una lussuosa copertina apribile.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eBlue Note, 1966\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eHank Mobley si ispirò a \"Birth of the Cool\" per il suo album del 1966 \"A Slice of the Top\", che includeva gli arrangiamenti di Duke Pearson per un ottetto con eufonio e tuba.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eBlue Note, 1966\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eHank Mobley si ispirò a \"Birth of the Cool\" per il suo album del 1966 \"A Slice of the Top\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHank's Other Bag\u003c\/li\u003e\n\u003cli\u003eThere's A Lull In My Life\u003c\/li\u003e\n\u003cli\u003eCute 'N Pretty\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Touch Of Blue\u003c\/li\u003e\n\u003cli\u003eA Slice Of The Top\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Hank Mobley","offers":[{"title":"Default Title","offer_id":45938510201011,"sku":"0602455059789","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_91139af0-578a-4b82-998a-c8677a5cf829.png?v=1788349405"},{"product_id":"clifford-jordan-cliff-jordan-1lp-blue-note-tone-poet-series","title":"Cliff Jordan | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl sassofonista tenore Clifford Jordan, all'epoca poco conosciuto, arrivò da Chicago nel 1957 e registrò tre eccellenti sessioni per la Blue Note in un prolifico arco di otto mesi, tra cui l'album omonimo Cliff Jordan. La seconda registrazione di Jordan per l'etichetta fu un'abbondante dose di bebop sensuale, con un robusto settetto composto da Lee Morgan alla tromba, Curtis Fuller al trombone, John Jenkins al sax contralto, Ray Bryant al pianoforte, Paul Chambers al contrabbasso e Art Taylor alla batteria. La band si dilunga in versioni estese di \"Not Guilty\" di Jordan, \"St. John\" di Jenkins e \"Blue Shoes\" di Fuller, prima che un Morgan diciottenne si prenda la scena con il suo brano \"Ju-Ba\" per chiudere il set.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNot Guilty\u003c\/li\u003e\n\u003cli\u003eSt. John\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Shoes\u003c\/li\u003e\n\u003cli\u003eBeyond The Blue Horizon\u003c\/li\u003e\n\u003cli\u003eJu-Ba\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cliff Jordan","offers":[{"title":"Default Title","offer_id":45938510659763,"sku":"0602448819475","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/clifflp.png?v=1788349412"},{"product_id":"bobby-hutcherson-dialogue-1lp-blue-note-tone-poet-series","title":"Dialogue | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'accattivante sessione del 1965, Dialogue, fu l'album di debutto del vibrafonista Bobby Hutcherson, che si era già dimostrato un versatile sideman in album classici della Blue Note, da Idle Moments di Grant Green a Destination Out di Jackie McLean, fino a Out To Lunch di Eric Dolphy. Infatti, il boss della Blue Note, Alfred Lion, aveva portato Hutcherson in studio come leader per una sessione del 1963 di hard bop tradizionale, che all'epoca decise di non pubblicare (fu poi pubblicata nel 1999 con l'ottimo titolo The Kicker). Dialogue, d'altro canto, mise in mostra le inclinazioni più avventurose di Hutcherson con un sestetto all'avanguardia composto da Freddie Hubbard alla tromba, Sam Rivers al sassofono tenore e soprano, clarinetto basso e flauto, Andrew Hill al pianoforte, Richard Davison al contrabbasso e Joe Chambers alla batteria. L'album presentava composizioni originali di Hill e Chambers.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCatta\u003c\/li\u003e\n\u003cli\u003eIdle While\u003c\/li\u003e\n\u003cli\u003eLes Noirs Marchent\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDialogue\u003c\/li\u003e\n\u003cli\u003eGhetto Lights\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bobby Hutcherson","offers":[{"title":"Default Title","offer_id":45938510790835,"sku":"0602455059741","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/bobbylp.png?v=1788349414"},{"product_id":"jackie-mclean-let-freedom-ring-lp-blue-note-tone-poet-series","title":"Let Freedom Ring | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album di Jackie McLean del 1962, Let Freedom Ring, rifletteva il cambiamento nell'aria dei primi anni '60: sia le libertà musicali esplorate dal nascente movimento d'avanguardia, sia le libertà sociali rivendicate dal movimento per i diritti civili in ascesa. Questo set di quattro brani, con il sassofonista contralto accompagnato da Walter Davis Jr. al pianoforte, Herbie Lewis al contrabbasso e Billy Higgins alla batteria, fonde il linguaggio blues dell'hard bop con l'energia vibrante del movimento New Thing. Il suono emotivo del sassofono di McLean si strugge, stride e addolcisce mentre il quartetto esegue tre straordinari brani originali di McLean: \"Melody For Melonae\" (dedicato a sua figlia), \"Rene\" (dedicato a suo figlio) e \"Omega\" (dedicato a sua madre). Una struggente interpretazione della ballata di Bud Powell \"I'll Keep Loving You\" conclude l'album.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMelody For Melonae\u003c\/li\u003e\n\u003cli\u003eI'll Keep Loving You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRene\u003c\/li\u003e\n\u003cli\u003eOmega\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jackie McLean","offers":[{"title":"Default Title","offer_id":45938511446195,"sku":"0602448644343","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/JM_LetFreedomRingLP.png?v=1788349423"},{"product_id":"the-modest-jazz-trio-good-friday-blues-lp-blue-note-tone-poet-series","title":"Good Friday Blues | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1960\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrata nelle prime ore del mattino del Venerdì Santo del 1960, questa affascinante e improvvisata sessione di Pacific Jazz cattura la disinvolta alchimia del Modest Jazz Trio, composto da Jim Hall alla chitarra, Red Mitchell al pianoforte e Red Kelly al contrabbasso. Good Friday Blues sarebbe stato l'unico album del trio, una sessione di sublime swing che iniziò effettivamente con le modeste aspettative di registrare un singolo brano per un'antologia blues che Richard Bock stava producendo. Ma l'atmosfera era quella giusta, il trio era ispirato, la musica scorreva e, entro la mattina, avevano registrato sei brani, tra cui un paio di composizioni originali di Mitchell e interpretazioni di standard del repertorio come \"Willow Weep For Me\", \"I Remember You\" e \"I Was Doin' Alright\". L'assenza di batteria permette al suono splendido e delicato di Hall e al suo flusso melodico di brillare, mentre Mitchell, noto principalmente come bassista, sorprende con la sua impressionante abilità al pianoforte e Kelly fornisce una solida base.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood Friday Blues\u003c\/li\u003e\n\u003cli\u003eWillow Weep For Me\u003c\/li\u003e\n\u003cli\u003eI Remember You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBill Not Phil\u003c\/li\u003e\n\u003cli\u003eWhen I Have You\u003c\/li\u003e\n\u003cli\u003eI Was Doin' Alright\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Modest Jazz Trio","offers":[{"title":"Default Title","offer_id":45938511478963,"sku":"0602448650498","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/MjTrioLP.png?v=1788349424"},{"product_id":"lee-morgan-taru-lp-blue-note-tone-poet-series","title":"Taru | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album di Lee Morgan del 1968, Taru, che sarebbe stato pubblicato solo nel 1980 come parte della serie LT, vedeva il trombettista a un bivio, intento a esplorare una varietà di stili. La band in questa straordinaria sessione si distingue per diversi motivi, tra cui la presenza elevante del chitarrista George Benson, che regala assoli ispirati per tutta la durata dell'album. La sessione segnò anche la prima collaborazione discografica di Morgan con il sassofonista tenore Bennie Maupin, che avrebbe poi giocato un ruolo fondamentale nei successivi album di Morgan, tra cui Caramba! e Live at the Lighthouse. A completare il sestetto c'erano il pianista John Hicks, il bassista Reggie Workman e l'instancabile batterista Billy Higgins. La scaletta di sei brani ha spaziato tra diversi stili musicali, tra cui jazz modale (\"Avotcja One\"), post-bop energico (\"Get Yourself Together\"), splendide ballate (\"Haeschen\" e \"Taru, What's Wrong With You?\"), pezzi con influenze gospel (\"Dee Lawd\") e funky boogaloo (\"Durem\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAvotcja One\u003c\/li\u003e\n\u003cli\u003eHaeschen\u003c\/li\u003e\n\u003cli\u003eDee Lawd\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGet Yourself Together (Get Yo'self Togetha)\u003c\/li\u003e\n\u003cli\u003eTaru, What's Wrong With You?\u003c\/li\u003e\n\u003cli\u003eDurem\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":45938511904947,"sku":"0602448644282","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/LeeMorganTaruLP.png?v=1788349430"},{"product_id":"donald-byrd-byrd-blows-on-beacon-hill-lp-blue-note-tone-poet-series","title":"Byrd Blows On Beacon Hill | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/transition\"\u003eTransition\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato nel 1956 per la Transition Records, etichetta discografica di breve durata con sede a Boston e fondata dal produttore Tom Wilson, Byrd Blows On Beacon Hill presenta il trombettista Donald Byrd in un quartetto intimo e rilassato, con il suo frequente collaboratore Doug Watkins al contrabbasso, insieme ai musicisti di Boston Ray Santisi al pianoforte e Jim Zitano alla batteria. L'album, ricco di standard, fu registrato in un piovoso pomeriggio di primavera nella casa di Beacon Hill dell'ingegnere del suono Steve Fassett, creando un'atmosfera informale che diede all'album sia il titolo che il suo fascino disinvolto. Byrd dà il meglio di sé nell'interpretazione lirica del brano di Joe Sullivan \"Little Rock Getaway\", così come nelle versioni di \"Polka Dots and Moonbeams\", \"If I Love Again\" e \"Stella by Starlight\". Il trombettista lascia spazio al trio per brillare in \"People Will Say We're in Love\" e \"What's New\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Rock Getaway\u003c\/li\u003e\n\u003cli\u003ePolka Dots And Moonbeams\u003c\/li\u003e\n\u003cli\u003ePeople Will Say We’re In Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf I Love Again\u003c\/li\u003e\n\u003cli\u003eWhat’s New\u003c\/li\u003e\n\u003cli\u003eStella By Starlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket with a booklet.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":45938512560307,"sku":"0602448819468","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/DonaldByrdBeaconHillLP.png?v=1788349437"},{"product_id":"wayne-shorter-odyssey-of-iska-lp-blue-note-tone-poet-series","title":"Odyssey of Iska | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1971\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNel 1970, la vita e la carriera di Wayne Shorter furono investite da un vento di cambiamento. Il sassofonista aveva appena lasciato il gruppo di Miles Davis e stava per formare la sua band fusion, i Weather Report. Anche la sua musica si stava evolvendo, con l'inizio delle sue personali esplorazioni fusion nei due precedenti album per la Blue Note, Super Nova e Moto Grosso Feio. Registrato nell'agosto del 1970, l'ipnotico Odyssey of Iska sarebbe stato l'ultimo album del primo periodo di Shorter con la Blue Note. L'album era un omaggio alla figlia Iska, nata l'anno precedente con gravi danni cerebrali, e conteneva quattro coinvolgenti composizioni di Shorter che ritraevano una varietà di stati d'animo: \"Wind\", \"Storm\", \"Calm\" e \"Joy\".\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eIl pezzo forte dell'album è una versione estesa di \"De Pois do Amor, o Vazio\" (Dopo l'amore, il vuoto), brano di Bobby Thomas influenzato dalla musica brasiliana, che preannuncia il crescente interesse di Shorter per la musica brasiliana, che avrebbe approfondito negli anni a venire. I sassofoni soprano e tenore di Shorter sono gli unici strumenti a fiato presenti nell'album, che vede la partecipazione di Gene Bertoncini alla chitarra, David Friedman al vibrafono e alla marimba, Ron Carter e Cecil McBee al contrabbasso, e Alphonse Mouzon, Billy Hart e Frank Cuomo alla batteria e alle percussioni.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWind\u003c\/li\u003e\n\u003cli\u003eStorm\u003c\/li\u003e\n\u003cli\u003eCalm\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDe Pois Do Amour, O Vazio (After Love, Emptiness)\u003c\/li\u003e\n\u003cli\u003eJoy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Wayne Shorter","offers":[{"title":"Default Title","offer_id":45938512625843,"sku":"0602438963607","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/WayneShorter_OdysseyofIska.png?v=1788349438"},{"product_id":"kenny-dorham-jackie-mclean-inta-somethin-blue-note-tone-poet-series-lp","title":"Inta Somethin' | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/pacific-jazz\"\u003ePacific Jazz\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eKenny Dorham ha arricchito i cataloghi di Blue Note, Riverside e New Jazz nel corso degli anni '50, consolidando la sua reputazione di trombettista e compositore di spicco sulla scena jazz. Nel 1961 iniziò a lavorare in studio per la Blue Note, registrando l'eccellente album Whistle Stop, e nello stesso anno incise il suo primo lavoro per la Pacific Jazz, Inta Somethin', una vivace registrazione dal vivo che immortalava Dorham alla guida di un quintetto con il sassofonista contralto Jackie McLean, il pianista Walter Bishop Jr., il contrabbassista Leroy Vinnegar e il batterista Art Taylor al Jazz Workshop di San Francisco. La band è in piena forma in questa raccolta di quattro standard, incorniciati dai brani originali di Dorham \"Us\" e \"San Francisco Beat\". Una vivace versione di \"It Could Happen To You\" viene eseguita in quartetto come vetrina per Dorham, mentre il trombettista si concede un momento di pausa in \"Let's Face The Music And Dance\" e \"Lover Man\" per dare spazio a McLean.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUs\u003c\/li\u003e\n\u003cli\u003eIt Could Happen To You\u003c\/li\u003e\n\u003cli\u003eLet's Face The Music And Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNo Two People\u003c\/li\u003e\n\u003cli\u003eLover Man\u003c\/li\u003e\n\u003cli\u003eSan Francisco Beat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kenny Dorham, Jackie McLean","offers":[{"title":"Default Title","offer_id":45938513215667,"sku":"0602448321855","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/IntaSomethinKennyDorhamLP.png?v=1788349449"},{"product_id":"doug-watkins-watkins-at-large-blue-note-tone-poet-series-lp","title":"Watkins At Large | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato nel 1956 per la Transition Records, etichetta discografica di breve durata con sede a Boston e prodotta da Tom Wilson, Watkins At Large fu il primo di soli due album che il grande bassista Doug Watkins avrebbe realizzato come leader. Originario di Detroit, si era trasferito a New York e aveva iniziato a farsi conoscere per il suo contributo ai Jazz Messengers, guidati da Art Blakey e Horace Silver, e al trio di Bud Powell, quando Wilson decise di dargli l'opportunità di registrare un album da solista. Accompagnato da un ensemble di prim'ordine composto dal trombettista Donald Byrd, dal sassofonista tenore Hank Mobley, dal chitarrista Kenny Burrell, dal pianista Duke Jordan e dal batterista Art Taylor, Watkins si cimenta in una straordinaria selezione di blues, ballate e altro ancora, inclusi brani originali scritti da Jordan, Burrell e Thad Jones.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eReturn To Paradise\u003c\/li\u003e\n\u003cli\u003ePhinupi\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePhil T. McNasty's Blues\u003c\/li\u003e\n\u003cli\u003eMore Of The Same\u003c\/li\u003e\n\u003cli\u003ePanonica\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket with a booklet.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Doug Watkins","offers":[{"title":"Default Title","offer_id":45938513313971,"sku":"0602448321794","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/WatkinsAtLargeLP.png?v=1788349450"},{"product_id":"bobby-hutcherson-total-eclipse-lp-blue-note-tone-poet-series","title":"Total Eclipse | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1968\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl vibrafonista Bobby Hutcherson è stato una figura chiave del sound della Blue Note Records per tutti gli anni '60, a suo agio sia nell'hard bop che nel soul jazz, fino ad arrivare a sonorità d'avanguardia. Il suo album del 1968, Total Eclipse, fu la prima registrazione del vibrafonista a vedere la partecipazione del sassofonista tenore e flautista Harold Land, che sarebbe poi diventato un suo collaboratore fondamentale negli anni successivi. Hutcherson e Land, che avevano co-diretto una band sulla costa occidentale, si recarono a New York per alcuni ingaggi allo Slugs' Saloon e al Village Vanguard, prima di entrare nei Plaza Sound Studio per registrare l'album. A completare la formazione c'erano il pianista Chick Corea, il bassista Reggie Johnson e il batterista di fiducia di Hutcherson, Joe Chambers, in questo appassionato e introspettivo lavoro di post-bop. Fatta eccezione per l'eccezionale brano di Corea \"Matrix\", il resto del programma è composto da composizioni di Hutcherson, tra cui l'apertura sicura e briosa \"Herzog\" e la chiusura epica \"Pompeian\", che oscilla tra un valzer delicato e ondeggiante e esplorazioni più turbolente.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHerzog\u003c\/li\u003e\n\u003cli\u003eTotal Eclipse\u003c\/li\u003e\n\u003cli\u003eMatrix\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSame Shame\u003c\/li\u003e\n\u003cli\u003ePompeian\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bobby Hutcherson","offers":[{"title":"Default Title","offer_id":45938513772723,"sku":"0602445953219","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/TotalEclipseLP.png?v=1788349456"},{"product_id":"horace-silver-silvers-serenade-lp-blue-note-tone-poet-series","title":"Silver's Serenade | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1963\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato nel maggio del 1963, Silver's Serenade fu l'ultimo di una fantastica serie di album che il pianista Horace Silver avrebbe realizzato con la formazione più celebre del suo Quintetto, composta da Blue Mitchell alla tromba, Junior Cook al sassofono tenore, Gene Taylor al contrabbasso e Roy Brooks alla batteria. Il nucleo della band era insieme dal 1959 e aveva registrato classici dell'hard bop come Finger Poppin' e Blowin' the Blues Away, con Brooks che si unì al gruppo nel 1960 per la Horace-Scope. Il programma di Silver's Serenade è composto da cinque brani di Silver che incarnano il suo eccezionale stile compositivo: melodie accattivanti, armonie sofisticate e intricate invenzioni ritmiche con un profondo e infallibile senso dello swing. Dal rilassato groove del brano d'apertura che dà il titolo all'album al travolgente finale \"Nineteen Bars\", il Quintetto offre il suo canto del cigno con stile.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSilver's Serenade\u003c\/li\u003e\n\u003cli\u003eLet's Get To The Nitty Gritty\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Sweetie Dee\u003c\/li\u003e\n\u003cli\u003eThe Dragon Lady\u003c\/li\u003e\n\u003cli\u003eNineteen Bars\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Horace Silver","offers":[{"title":"Default Title","offer_id":45938514264243,"sku":"0602445953202","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/HoraceSilver-Silver_sSerenadeLP.png?v=1788349465"}],"url":"https:\/\/store.everythingjazz.it\/collections\/tone-poet-series.oembed","provider":"Everything Jazz Italy","version":"1.0","type":"link"}