{"title":"Everything","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEverything Jazz è il negozio di dischi online dedicato alla migliore musica jazz del mondo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eScopri la nostra selezione curata di vinili e CD jazz, organizzata per \u003ca href=\"\/pages\/artists\"\u003eartista\u003c\/a\u003e o \u003ca href=\"\/pages\/collections\"\u003ecollezione\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"donald-byrd-slow-drag-vinile","title":"Slow Drag | Vinile (Tone Poet series)","description":"\u003cdiv class=\"product_description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1968 | \u003ca href=\"\/collections\/tone-poet-series\"\u003eTone Poet Collection\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUno dei capolavori dell'hard bop firmato Donald Byrd. Registrato nel 1967 ai leggendari Van Gelder Studios del New Jersey, \u003cem\u003eSlow Drag\u003c\/em\u003e cattura il trombettista al culmine della sua forma: affiancato da Sonny Red al sax contralto, Cedar Walton al pianoforte, Walter Booker al contrabbasso e il maestro Billy Higgins alla batteria, Byrd costruisce un album di rara coerenza e intensità.\u003c\/p\u003e\n\u003cp\u003eLa ristampa \u003cstrong\u003eTone Poet\u003c\/strong\u003e di Blue Note — curata da Joe Harley e masterizzata da Kevin Gray — restituisce ogni sfumatura dell'originale su vinile 180g di altissima qualità, per un ascolto che vale quanto una seduta in prima fila al club.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"accordion\"\u003e\u003cinput type=\"checkbox\" name=\"collapse\" id=\"handle1\"\u003e\n\u003ch5 class=\"handle\"\u003e\u003clabel for=\"handle1\"\u003eTracklist \u0026amp; Credits\u003c\/label\u003e\u003c\/h5\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1: Slow Drag\u003cbr\u003eA2: Secret Love\u003cbr\u003eA3: Book's Bossa\u003c\/p\u003e\n\u003cp\u003eB1: Jelly Roll\u003cbr\u003eB2: The Loner\u003cbr\u003eB3: My Ideal\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_credits\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegistrato il 12 maggio 1967 ai Van Gelder Studio, New Jersey\u003c\/li\u003e\n\u003cli\u003eIngegnere del suono: Rudy Van Gelder\u003c\/li\u003e\n\u003cli\u003eProduttore: Alfred Lion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":45686920511667,"sku":"0602438568420","price":44.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/donald-byrd-slow-drag-vinile-tone-poet-series-1_3e52414f-d12e-4292-9bb2-f0d8facd8f57.png?v=1784029207"},{"product_id":"curtis-amy-tippin-on-through-blue-note-tone-poet-series-1lp","title":"Tippin’ On Through | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUn vento impetuoso soffiò attraverso il Lighthouse di Hermosa Beach, in California, il 29 luglio 1962, mentre il sassofonista Curtis Amy portava un sestetto di prim'ordine nel leggendario locale per registrare il suo album dal vivo Tippin' On Through per la Pacific Jazz. Il possente sassofonista tenore texano aveva già registrato il suo energico album Groovin' Blue e avrebbe realizzato il suo capolavoro Katanga! l'anno successivo. Qui si circonda di una formazione dinamica composta da Roy Brewster al trombone, Roy Ayers al vibrafono, John Houston al pianoforte, Bob Whitlock al contrabbasso e Lawrence Marable alla batteria per un set swing di sei brani, tra cui tre composizioni originali di Amy e pezzi di Benny Golson, Dave Brubeck e George Gershwin.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTippin' On Through\u003c\/li\u003e\n\u003cli\u003eFunk In The Evening\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eFor Ayres Only\u003c\/li\u003e\n\u003cli\u003eIn Your Own Sweet Way\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003cli\u003eSet Call\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Curtis Amy","offers":[{"title":"Default Title","offer_id":45938499092659,"sku":"0602458740301","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_0eac6e4e-1e69-4fb9-a2d0-f766b2456498.png?v=1788349238"},{"product_id":"marcos-valle-samba-68-verve-vault-series-1lp","title":"Samba ’68 | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1968\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSamba '68, pubblicato dalla Verve nel 1968, ha fatto conoscere il cantante, cantautore e polistrumentista brasiliano Marcos Valle a un pubblico internazionale più ampio. Già affermato in Brasile grazie a brani come \"Samba de Verão\" (\"Samba d'estate\"), Valle collaborò qui con il produttore Creed Taylor a una registrazione che unisce le forme ritmiche brasiliane all'orchestrazione da studio americana contemporanea. Le sessioni includono la voce di Anamaria Valle e gli arrangiamenti di Eumir Deodato, i cui scritti collocano la chitarra e la voce di Valle in contesti per archi, ottoni e sezione ritmica tipici delle produzioni Verve di fine anni '60. Il repertorio comprende versioni in inglese di composizioni scritte in collaborazione con Valle, tra cui \"So Nice (Summer Samba)\", \"Chup Chup, I Got Away\" e \"Safely In Your Arms\", insieme ad altro materiale che riflette la sua scrittura essenziale e il suo approccio ritmico leggero come una piuma. L'album documenta un punto d'incontro tra la musica popolare brasiliana e le pratiche internazionali di registrazione pop-jazz in studio alla fine degli anni '60.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Answer\u003c\/li\u003e\n\u003cli\u003eCrickets Sing For Anamaria\u003c\/li\u003e\n\u003cli\u003eSo Nice (Summer Samba)\u003c\/li\u003e\n\u003cli\u003eChup Chup, I Got Away\u003c\/li\u003e\n\u003cli\u003eIf You Went Away\u003c\/li\u003e\n\u003cli\u003ePepino Beach\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eShe Told Me, She Told Me\u003c\/li\u003e\n\u003cli\u003eIt's Time To Sing\u003c\/li\u003e\n\u003cli\u003eBatucada\u003c\/li\u003e\n\u003cli\u003eThe Face I Love\u003c\/li\u003e\n\u003cli\u003eSafely In Your Arms\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Marcos Valle","offers":[{"title":"Default Title","offer_id":45938499125427,"sku":"0199957015127","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_c97d9886-5e22-4f5d-aa80-a90ab1c2fbfd.png?v=1788349239"},{"product_id":"donald-byrd-the-cat-walk-blue-note-classic-vinyl-series-1lp","title":"The Cat Walk | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNel 1960 Donald Byrd era in un momento di grande forma, sfornando un classico hard bop dopo l'altro per la Blue Note, tra cui The Cat Walk, con il quintetto di Byrd composto da Pepper Adams al sassofono baritono, Duke Pearson al pianoforte, Laymon Jackson al contrabbasso e Philly Joe Jones alla batteria. La band sfoggia il proprio talento in un coinvolgente set di brani originali swing, tra cui l'accattivante brano d'apertura di Pearson \"Say You're Mine\", l'arrogante title track di Byrd e una sprint incalzante sul brano di Neal Hefti \"Cute\", con una performance magistrale di Jones.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSay You're Mine\u003c\/li\u003e\n\u003cli\u003eDuke's Mixture\u003c\/li\u003e\n\u003cli\u003eEach Time I Think Of You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eThe Cat Walk\u003c\/li\u003e\n\u003cli\u003eCute\u003c\/li\u003e\n\u003cli\u003eHello Bright Sunflower\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":45938499158195,"sku":"0602475807100","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_bd3d99ea-5c75-4647-a666-e246c2ef9fed.png?v=1788349240"},{"product_id":"kenny-dorham-whistle-stop-blue-note-classic-vinyl-series-1lp","title":"Whistle Stop | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo aver inciso per la Blue Note a metà degli anni '50 classici del bebop come \"Afro-Cuban\" e \"Round About Midnight At The Café Bohemia\", il trombettista Kenny Dorham fece un ritorno di grande impatto all'etichetta nel 1961 con \"Whistle Stop\". L'album è una raccolta di 7 brani originali di Dorham, eseguiti da un quintetto hard bop di prim'ordine con Hank Mobley al sassofono tenore, Kenny Drew al pianoforte, Paul Chambers al contrabbasso e Philly Joe Jones alla batteria. Composizioni innovative come \"Philly Twist\", \"Sunset\" e \"Sunrise In Mexico\" offrono ampio materiale di partenza, guidando i musicisti verso sonorità ispirate.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e'Philly' Twist\u003c\/li\u003e\n\u003cli\u003eBuffalo\u003c\/li\u003e\n\u003cli\u003eSunset\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWhistle Stop\u003c\/li\u003e\n\u003cli\u003eSunrise In Mexico\u003c\/li\u003e\n\u003cli\u003eWindmill\u003c\/li\u003e\n\u003cli\u003eDorham's Epitaph\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Kenny Dorham","offers":[{"title":"Default Title","offer_id":45938499322035,"sku":"0602475807193","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_b3445142-8f06-4eeb-a210-95bb042cb148.png?v=1788349241"},{"product_id":"oscar-peterson-at-baker-s-keyboard-lounge-1lp","title":"At Baker’s Keyboard Lounge | 1LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eQuando Oscar Peterson arrivò al Baker's Keyboard Lounge di Detroit all'inizio di agosto del 1960 per un ingaggio di due settimane, il trio del pianista, formatosi un anno prima e composto dal bassista Ray Brown e dal batterista Ed Thigpen, stava raggiungendo nuove vette artistiche.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eConcepito all'epoca come album dal vivo per la Verve, ma mai pubblicato, il materiale registrato al Baker's Keyboard Lounge presenta performance straordinarie e inedite, tutte registrate in un'unica serata di venerdì.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eIndipendentemente dal tempo, dal ritmo o dalla complessità dell'arrangiamento, i tre musicisti respirano come un sol uomo in queste registrazioni, con un fraseggio guidato da un unico battito cardiaco.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eQueste registrazioni, inedite per il pubblico, realizzate nel periodo di massimo splendore di Peterson nel jazz club più longevo degli Stati Uniti, ci ricordano che non ci sarà mai nessun altro come Oscar Peterson.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eQueste registrazioni complete, in esclusiva per questo negozio, includono tutti e cinque i set, nell'ordine in cui sono stati eseguiti.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLP 1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePolitics \u0026amp; Poker\u003c\/li\u003e\n\u003cli\u003eDancing On The Ceiling\u003c\/li\u003e\n\u003cli\u003eS’Posin\u003c\/li\u003e\n\u003cli\u003eDjango\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eLiza (All The Clouds Roll Away)\u003c\/li\u003e\n\u003cli\u003eWhere Do I Go From Here?\u003c\/li\u003e\n\u003cli\u003eYesterdays\u003c\/li\u003e\n\u003cli\u003eSoftly As In a Morning Sunrise\u003c\/li\u003e\n\u003cli\u003eTouch Of Your Lips\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThese Complete Recordings are presented across three LPs and include all five sets performed that evening, in the exact order they were played at Baker’s Keyboard Lounge.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Oscar Peterson Trio","offers":[{"title":"Default Title","offer_id":45938499354803,"sku":"0199957190893","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_71e19cda-8103-469e-9dbe-55a917c43be9.png?v=1788349243"},{"product_id":"mccoy-tyner-asante-blue-note-tone-poet-series-1lp","title":"Asante | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl pianista McCoy Tyner si era sempre più ispirato all'Africa nelle sue registrazioni per la Blue Note della fine degli anni '60, con brani come \"African Village\" e \"Message from the Nile\". Con l'album Asante del 1970, Tyner portò alla ribalta queste influenze con un potente lavoro radicato nel vorticoso tappeto ritmico percussivo creato dal batterista Billy Hart e dal percussionista Mtume. Il bassista Buster Williams, il chitarrista Ted Dunbar e il sassofonista contralto Andrew White completano lo straordinario ensemble di questo set di quattro brani, che include anche la voce eterea di Songai nell'esteso brano di apertura \"Malika\" e nella title track. Sebbene elementi del jazz modale di cui Tyner era stato pioniere nel John Coltrane Quartet siano presenti in tutto l'album, in particolare nel dinamico brano di chiusura \"Fulfillment\", la musica qui preannunciava anche le future direzioni creative che Tyner avrebbe esplorato.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMalika\u003c\/li\u003e\n\u003cli\u003eAsante\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eGoin' Home\u003c\/li\u003e\n\u003cli\u003eFulfillment\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"McCoy Tyner","offers":[{"title":"Default Title","offer_id":45938499420339,"sku":"0602465019742","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_0ffdd320-2b70-4a17-878f-05a5c511fa98.png?v=1788349243"},{"product_id":"dexter-gordon-dexter-calling-blue-note-tone-poet-series-1lp","title":"Dexter Calling… | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSebbene avesse iniziato a registrare alla fine degli anni '40, la firma del contratto di Dexter Gordon con la Blue Note Records nel 1961 segnò l'inizio di una rinascita artistica per il grande sassofonista tenore dopo un decennio turbolento. Con la rapida doppietta del suo album di debutto per l'etichetta, Doin' Allright, e Dexter Calling, registrati a soli tre giorni di distanza l'uno dall'altro nel maggio del 1961, Dexter consolidò con disinvoltura il suo ritorno in grande stile. Dexter Calling presentava una formazione completamente diversa, con Dexter alla guida di un potente quartetto composto dal pianista Kenny Drew, dal contrabbassista Paul Chambers e dal batterista Philly Joe Jones. L'album si apre con la gemma hard bop soul \"Soul Sister\", prima di accelerare il ritmo e dimostrare la sua abilità in brani energici come \"Modal Mood\", \"I Want More\" e \"Clear the Dex\". Gordon rallenta il ritmo per la splendida ballata \"Ernie's Tune\" prima di chiudere il set con la gioiosa \"Smile\" di Charlie Chaplin.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoul Sister\u003c\/li\u003e\n\u003cli\u003eModal Mood\u003c\/li\u003e\n\u003cli\u003eI Want More\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEnd Of A Love Affair\u003c\/li\u003e\n\u003cli\u003eClear The Dex\u003c\/li\u003e\n\u003cli\u003eErnie's Tune\u003c\/li\u003e\n\u003cli\u003eSmile\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dexter Gordon","offers":[{"title":"Default Title","offer_id":45938499551411,"sku":"0602458740288","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_d3d2a53f-5ace-4723-8a8c-bc9cbf00724c.png?v=1788349245"},{"product_id":"kenny-dorham-the-complete-round-about-midnight-at-the-cafe-bohemia-blue-note-tone-poet-series","title":"The Complete ’Round About Midnight At The Cafe Bohemia | 3LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl grande trombettista Kenny Dorham, spesso sottovalutato, ha avuto un ruolo fondamentale nella storia iniziale della Blue Note, partecipando come sideman a sessioni bebop con Thelonious Monk e Art Blakey, nonché a sessioni hard bop fondamentali con Horace Silver e come membro fondatore dei Jazz Messengers. Infatti, appena sei mesi dopo che i Jazz Messengers incisero le loro storiche registrazioni dal vivo al Cafe Bohemia, Dorham portò il suo sestetto nel leggendario jazz club newyorkese nel maggio del 1956 per registrare la sua prima sessione dal vivo a suo nome. Presentato integralmente nell'edizione in vinile 3 LP Tone Poet di The Complete ‘Round About Midnight At The Cafe Bohemia, questo sublime album vede il trombettista accompagnato da J.R. Monterose al sassofono tenore, Kenny Burrell alla chitarra, Bobby Timmons al pianoforte, Sam Jones al contrabbasso e Arthur Edgehill alla batteria, per una raccolta ispirata di brani originali di Dorham, Monk e Dizzy Gillespie, oltre a una selezione di classici del Great American Songbook.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonaco\u003c\/li\u003e\n\u003cli\u003eRound About Midnight\u003c\/li\u003e\n\u003cli\u003eMexico City\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Night In Tunisia\u003c\/li\u003e\n\u003cli\u003eAutumn In New York\u003c\/li\u003e\n\u003cli\u003eHill’s Edge\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eK.D.’s Blues\u003c\/li\u003e\n\u003cli\u003eWho Cares\u003c\/li\u003e\n\u003cli\u003eMexico City (alternate take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoyal Roost\u003c\/li\u003e\n\u003cli\u003eMy Heart Stood Still\u003c\/li\u003e\n\u003cli\u003eThe Prophet\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP3\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eK.D.’s Blues (alternate take)\u003c\/li\u003e\n\u003cli\u003eRiffin’\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Cares (alternate take)\u003c\/li\u003e\n\u003cli\u003eMonaco (alternate take)\u003c\/li\u003e\n\u003cli\u003eN.Y. Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eProduced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder’s original master tapes by Kevin Gray. Pressed on 180g vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz. Also available in a 2-CD set.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kenny Dorham","offers":[{"title":"Default Title","offer_id":45938499584179,"sku":"0602475277859","price":83.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/5_4e3a13cc-1d1e-4c66-8604-e6d21d13d180.png?v=1788349246"},{"product_id":"john-coltrane-africa-brass-verve-acoustic-sounds-series-1lp","title":"Africa | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/impulse\"\u003eImpulse!\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAfrica\/Brass, pubblicato nel 1961, fu il primo album di John Coltrane per la Impulse! Records e un punto di svolta nella sua produzione discografica. Registrato nello studio di Rudy Van Gelder e prodotto da Creed Taylor, il progetto ampliò il quartetto di Coltrane trasformandolo in un grande ensemble, unendo il suo sassofono tenore e soprano, introspettivo e ricercato, a dense orchestrazioni ricche di ottoni curate da Cal Massey.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eGli arrangiamenti di Eric Dolphy e McCoy Tyner contribuirono a plasmare il suono distintivo dell'album, intrecciando tuba, eufonio, corni francesi e altri strumenti in un potente sfondo per le improvvisazioni di Coltrane. Con il contributo fondamentale dei trombettisti Booker Little e Freddie Hubbard, del bassista Reggie Workman, del batterista Elvin Jones e altri, Africa\/Brass ridefinì il concetto di \"big band\". Uno dei più importanti album dei primi anni della Impulse! Con le sue nuove uscite, Africa\/Brass annunciò con radicale chiarezza l'arrivo di Coltrane nella \"casa che Trane ha costruito\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfrica\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eGreensleeves\u003c\/li\u003e\n\u003cli\u003eBlues Minor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":45938499682483,"sku":"0199957084604","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/John-Coltrane_Africa-Brass_Acoustic-Sounds-Vinyl_s520591_o7945688_a615331_v13791431.a4d0e395.png?v=1788349247"},{"product_id":"immanuel-wilkins-quartet-live-at-the-village-vanguard-vol-1-2lp","title":"Live at the Village Vanguard | 2LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl sassofonista contralto e compositore Immanuel Wilkins, nominato ai GRAMMY, si appresta a pubblicare il suo primo album dal vivo, un'eccezionale opera in tre volumi che documenta le performance del suo acclamato quartetto in un tempio del jazz newyorkese: Immanuel Wilkins Quartet: Live At The Village Vanguard. Il quartetto di Wilkins è composto da Micah Thomas al pianoforte, Ryoma Takenaga al contrabbasso e Kweku Sumbry alla batteria.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDisc 1\u003cb\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWARRIORS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCOMPOSITION II\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eDisc 2\u003cb\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCHARANAM\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eETERNAL\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003ePlease note that each vinyl is unique and the colors may appear slightly different from the image displayed.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Immanuel Wilkins Quartet","offers":[{"title":"Default Title","offer_id":45938499715251,"sku":"0602488170871","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_92.png?v=1788349248"},{"product_id":"stanley-turrentine-easy-walker-blue-note-classic-vinyl-series-1lp","title":"Easy Walker | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1966\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album Easy Walker di Stanley Turrentine del 1966 era perfetto per il sassofonista tenore soul, con Mr. T alla guida di un versatile quartetto con McCoy Tyner al pianoforte, Bob Cranshaw al contrabbasso e Mickey Roker alla batteria. L'accattivante discografia includeva brani grintosi come la traccia d'apertura \"Meat Wave\", ballate sensuali come \"They All Say I'm The Biggest Fool\", la rilassata e swingante title track e persino un'interpretazione di una hit pop del momento con la sublime versione di Turrentine di \"What The World Needs Now Is Love\" di Burt Bacharach e Hal David.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eQuesta edizione Blue Note Classic Vinyl è stereo, completamente analogica, masterizzata da Kevin Gray dai nastri master originali e stampata su vinile da 180 g presso Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMeat Wave\u003c\/li\u003e\n\u003cli\u003eThey All Say That I'm The Biggest Fool\u003c\/li\u003e\n\u003cli\u003eYours Is My Heart Alone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEasy Walker\u003c\/li\u003e\n\u003cli\u003eWhat The World Needs Now Is Love\u003c\/li\u003e\n\u003cli\u003eAlone Together\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Stanley Turrentine","offers":[{"title":"Default Title","offer_id":45938499748019,"sku":"0602475807056","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/StanleyTurrentineEasyWalkerLP.png?v=1788349249"},{"product_id":"blue-mitchell-the-thing-to-do-blue-note-classic-vinyl-series-1lp","title":"The Thing To Do | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1964\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum di debutto per Blue Note (anno 1964) in qualità di leader dell’ingiustamente poco celebrato trombettista, circondato da Junior Cook (tenorsassofonista già al fianco di Horace Silver), Gene Taylor al contrabbasso, ed un giovanissimo e assai promettente pianista di nome Chick Corea, formidabile nel “Chick’s Tune” finale. A completare il quadro un altro ragazzo di nome Aloysius (poi Al) Foster alla batteria. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eQuesta edizione in vinile Blue Note Classic è stereo, completamente analogica, masterizzata da Kevin Gray a partire dai nastri master originali e stampata su vinile da 180 g presso Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFungii Mama\u003c\/li\u003e\n\u003cli\u003eMona's Mood\u003c\/li\u003e\n\u003cli\u003eThe Thing To Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eStep Lightly\u003c\/li\u003e\n\u003cli\u003eChick's Tune\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Blue Mitchell","offers":[{"title":"Default Title","offer_id":45938499846323,"sku":"0602475806967","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/TheThingToDoBlueMitchellLP.png?v=1788349251"},{"product_id":"cannonball-adderley-cannonballs-sharpshooters-verve-vault-series-1lp","title":"Cannonball’s Sharpshooters | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/mercury\"\u003eMercury\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eCannonball's Sharpshooters, originariamente pubblicato nel 1958, documenta il sassofonista contralto Julian \"Cannonball\" Adderley alla guida di un quintetto composto dal cornettista Nat Adderley, dal pianista Junior Mance, dal contrabbassista Sam Jones e dal batterista Jimmy Cobb. Registrato il 4 e il 6 marzo 1958 ai Bell Sound Studios di New York, il disco cattura il gruppo pochi giorni prima della sessione di registrazione di Adderley per Somethin' Else con Miles Davis, collocando l'album in un momento cruciale della sua carriera alla fine degli anni '50.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eL'ensemble presenta un programma hard bop compatto che riflette il fraseggio blues-infrangente di Adderley, unito al linguaggio armonico del bebop moderno. Il repertorio bilancia standard, brani bebop e composizioni originali, tra cui \"Our Delight\" di Tadd Dameron e \"Straight, No Chaser\" di Thelonious Monk. L'esuberanza che contraddistingue Adderley alla guida di una formazione stellare di jazz anni '50 definisce il carattere di questa sessione.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eLa serie Verve Vault è sempre masterizzata da nastri analogici e stampata su vinile da 180 g presso Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOur Delight\u003c\/li\u003e\n\u003cli\u003eWhat's New\u003c\/li\u003e\n\u003cli\u003eFuller Bop Man\u003c\/li\u003e\n\u003cli\u003eJubilation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eStay On It\u003c\/li\u003e\n\u003cli\u003eIf I Love Again\u003c\/li\u003e\n\u003cli\u003eStraight, No Chaser\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cannonball Adderley","offers":[{"title":"Default Title","offer_id":45938499879091,"sku":"0199957010245","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/cannonballadderley-cannonballssharpshooters-packshot.png?v=1788349252"},{"product_id":"art-blakey-s-make-it-verve-vault-series-1lp","title":"S Make It | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/limelight\"\u003eLimelight\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"S Make It\", registrato nel 1964 e pubblicato l'anno successivo dalla Limelight, cattura il batterista Art Blakey alla guida di una formazione di transizione dei suoi Jazz Messengers. All'epoca, Blakey stava affrontando l'abbandono di diversi membri chiave ed era alla ricerca di una nuova configurazione, che portò a una formazione particolare, seppur di breve durata, nella lunga storia della band.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eIl sestetto era composto da Lee Morgan alla tromba, Curtis Fuller al trombone, John Gilmore al sassofono tenore, John Hicks al pianoforte e Victor Sproles al contrabbasso. Insieme, diedero vita a un programma energico che rifletteva sia l'intensità hard bop consolidata di Blakey sia i cambiamenti nella formazione dei Messengers a metà degli anni '60. La batteria di Blakey è il punto di riferimento dell'intera sessione, con la galvanizzante autorità ritmica che ha caratterizzato la sua leadership per decenni.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eLa serie Verve Vault è sempre masterizzata da nastri analogici e stampata su vinile da 180 g presso Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFaith (From The Broadway Musical \"I Had A Ball\")\u003c\/li\u003e\n\u003cli\u003e'S Make It\u003c\/li\u003e\n\u003cli\u003eWaltz For Ruth\u003c\/li\u003e\n\u003cli\u003eOne For Gamal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eLittle Hughie\u003c\/li\u003e\n\u003cli\u003eOlympia\u003c\/li\u003e\n\u003cli\u003eLament For Stacy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Art Blakey","offers":[{"title":"Default Title","offer_id":45938499944627,"sku":"0199957010221","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/artblakey-smakeit-packshot.png?v=1788349253"},{"product_id":"gabrielle-cavassa-diavola-1lp","title":"Diavola | 1LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eLa stella nascente del jazz vocale Gabrielle Cavassa pubblicherà il suo album di debutto per la Blue Note Records, Diavola, nel 2026. Prodotto da Joshua Redman e Don Was, l'album vanta una band straordinaria con Jeff Parker alla chitarra, Paul Cornish al pianoforte, Larry Grenadier al contrabbasso, Brian Blade alla batteria e la partecipazione speciale di Redman al sassofono tenore. L'album mette in risalto la voce profondamente toccante di Cavassa e le sue straordinarie interpretazioni di cover, standard jazz e brani originali. Cavassa ha iniziato a farsi notare con la sua eccezionale performance come voce solista nell'album di debutto di Redman per la Blue Note del 2023, Where Are We, che ha spinto DownBeat a definirla \"una giovane cantante con una voce profonda, ricca e fragile... Cavassa è una stella nascente\". Stereophile ha scritto che \"Per molti, la rivelazione di questo album sarà Cavassa. La sua voce ti entra dentro. È particolare, ma affidabile nella sua chiarezza e quasi fisica nella sua intimità... le sue interpretazioni intuitive e la sua voce avvincente ti fanno rimanere immobile sulla sedia.\"\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeaven Sighs\u003c\/li\u003e\n\u003cli\u003eRaindrops Keep Falling On My Head\u003c\/li\u003e\n\u003cli\u003ePrisoner Of Love\u003c\/li\u003e\n\u003cli\u003eBossy Nova\u003c\/li\u003e\n\u003cli\u003eTo Say Goodbye\u003c\/li\u003e\n\u003cli\u003eAngelo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBe My Love\u003c\/li\u003e\n\u003cli\u003eDiavola\u003c\/li\u003e\n\u003cli\u003eCould It Be Magic\u003c\/li\u003e\n\u003cli\u003eLa notte dell'addio\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Gabrielle Cavassa","offers":[{"title":"Default Title","offer_id":45938500075699,"sku":"0602478065545","price":29.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/GabrielleCavassaDiavolaBlackLP.png?v=1788349254"},{"product_id":"astrud-gilberto-the-shadow-of-your-smile-verve-acoustic-sounds-series-1lp","title":"The Shadow Of Your Smile |  (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"L'ombra del tuo sorriso\" è un album in studio di Astrud Gilberto. Con arrangiamenti di Don Sebesky, Claus Ogerman e João Donato, fu pubblicato dalla Verve Records nel 1965. Raggiunse la posizione numero 66 nella classifica Billboard 200.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003e\"L'ombra del tuo sorriso\" è un album in studio di Astrud Gilberto. Con arrangiamenti di Don Sebesky, Claus Ogerman e João Donato, fu pubblicato dalla Verve Records nel 1965. Raggiunse la posizione numero 66 nella classifica Billboard 200.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Shadow of Your Smile\u003c\/li\u003e\n\u003cli\u003e(Take Me to) Aruanda\u003c\/li\u003e\n\u003cli\u003eManhã de Carnaval\u003c\/li\u003e\n\u003cli\u003eFly Me to the Moon\u003c\/li\u003e\n\u003cli\u003eThe Gentle Rain\u003c\/li\u003e\n\u003cli\u003eNon-Stop to Brazil\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eO Ganso\u003c\/li\u003e\n\u003cli\u003eWho Can I Turn To?\u003c\/li\u003e\n\u003cli\u003eDay by Day\u003c\/li\u003e\n\u003cli\u003eTristeza\u003c\/li\u003e\n\u003cli\u003eFunny World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Astrud Gilberto","offers":[{"title":"Default Title","offer_id":45938500141235,"sku":"0602488163347","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_36432b17-fbf2-4ba9-af9d-1f5654ef7eda.png?v=1788349255"},{"product_id":"larry-young-mother-ship-blue-note-tone-poet-series-1lp","title":"Mothership | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMother Ship del 1969, l'ultimo album per la Blue Note del visionario organista Larry Young, rappresentò il culmine di una straordinaria serie di dischi che ridefinirono le possibilità sonore dell'organo Hammond B3. Nel suo acclamato album Unity del 1965, Young spinse i limiti del suo strumento verso le vette più remote dell'esplorazione post-bop. Pubblicato per la prima volta nel 1980 come parte della serie LT, Mother Ship vedeva la partecipazione di Lee Morgan alla tromba, Herbert Morgan al sassofono tenore e Eddie Gladden alla batteria. L'album è pervaso da un'energia cinetica sfrenata, pur offrendo groove soul in una serie di brani originali di Young, dalle escursioni dalle sfumature avanguardistiche della title track e di \"Trip Merchant\" al soul jazz impeccabile di \"Street Scene\", \"Visions\" e \"Love Drops\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMother Ship\u003c\/li\u003e\n\u003cli\u003eStreet Scene\u003c\/li\u003e\n\u003cli\u003eVisions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eTrip Merchant\u003c\/li\u003e\n\u003cli\u003eLove Drops\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Larry Young","offers":[{"title":"Default Title","offer_id":45938500206771,"sku":"0602458648706","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_f9779c34-902a-4345-9e7c-b8236d170bae.png?v=1788349257"},{"product_id":"fred-jackson-hootin-n-tootin-blue-note-tone-poet-series-1lp","title":"Hootin’ ‘N Tootin’ | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl possente sassofonista tenore Fred Jackson fece la sua prima apparizione su un disco della Blue Note con la sua eccezionale performance come sideman nell'album Face To Face dell'organista Baby Face Willette nel 1961 e in seguito avrebbe contribuito con il suo suono energico agli album di Big John Patton per la Blue Note, Along Came John e The Way I Feel. Nel 1962, Jackson registrò il suo debutto come leader per l'etichetta con Hootin' 'N Tootin', una raccolta di brani originali profondamente soul e carichi di passione, eseguiti da una grintosa band di quattro elementi con il chitarrista Willie Jones, il batterista Wilbert Hogan e l'organista Earl Van Dyke, che in seguito sarebbe entrato a far parte della band di casa della Motown, i Funk Brothers.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDippin' In The Bag\u003c\/li\u003e\n\u003cli\u003eSouthern Exposure\u003c\/li\u003e\n\u003cli\u003ePreach Brother\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eHootin' N' Tootin'\u003c\/li\u003e\n\u003cli\u003eEasin' On Down\u003c\/li\u003e\n\u003cli\u003eThat's Where It's At\u003c\/li\u003e\n\u003cli\u003eWay Down Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fred Jackson","offers":[{"title":"Default Title","offer_id":45938500305075,"sku":"0602458422771","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_0db235c5-4f0c-4296-a80f-ad89e05a522c.png?v=1788349258"},{"product_id":"frank-sinatra-songs-for-swingin-lovers-blue-note-tone-poet-1lp","title":"Songs For Swingin' Lovers | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo il suo malinconico capolavoro In The Wee Small Hours, il leggendario cantante Frank Sinatra illuminò notevolmente l'atmosfera con il suo esuberante album Songs For Swingin’ Lovers, pubblicato dalla Capitol Records nel 1956. Insieme, i due album presentavano un'affascinante dualità, con l'amante dal cuore spezzato del primo che assaporava le gioie di un amore appena sbocciato nel secondo. Registrato ai Capitol Studios di Hollywood, l'album fu prodotto ancora una volta da Voyle Gilmore e presentava deliziosi arrangiamenti di Nelson Riddle del Great American Songbook, tra cui \"You Make Me Feel So Young\", \"Too Marvelous For Words\", \"Love Is Here To Stay\", \"I've Got You Under My Skin\" e molti altri.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Make Me Feel So Young\u003c\/li\u003e\n\u003cli\u003eIt Happened In Monterey\u003c\/li\u003e\n\u003cli\u003eYou're Getting To Be A Habit With Me\u003c\/li\u003e\n\u003cli\u003eYou Brought A New Kind Of Love To Me\u003c\/li\u003e\n\u003cli\u003eToo Marvelous For Words\u003c\/li\u003e\n\u003cli\u003eOld Devil Moon\u003c\/li\u003e\n\u003cli\u003ePennies From Heaven\u003c\/li\u003e\n\u003cli\u003eOur Love Is Here To Stay\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI've Got You Under My Skin\u003c\/li\u003e\n\u003cli\u003eI Thought About You\u003c\/li\u003e\n\u003cli\u003eWe'll Be Together Again\u003c\/li\u003e\n\u003cli\u003eMakin' Whoopee\u003c\/li\u003e\n\u003cli\u003eSwingin' Down The Lane\u003c\/li\u003e\n\u003cli\u003eAnything Goes\u003c\/li\u003e\n\u003cli\u003eHow About You?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton \u0026amp; Ken Veeder.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":45938500337843,"sku":"0602478949104","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_0e1bac74-1945-46f8-a017-c1516ff23fa6.png?v=1788349259"},{"product_id":"pharoah-sanders-elevation-verve-vault-series-1lp","title":"Elevation | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/impulse\"\u003eImpulse!\u003c\/a\u003e, 1974\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eElevation, pubblicato nel 1974 dalla Impulse! Records, vede il sassofonista Pharoah Sanders espandere la sua visione del jazz spirituale in un album che bilancia l'espressione estatica con un'interazione d'insieme mirata. Prodotto da Ed Michel e registrato nel 1973 attraverso due esibizioni dal vivo e una sessione in studio, Elevation presenta un ensemble dinamico che include Joe Bonner al pianoforte, Calvin Hill al contrabbasso e Michael Carvin alla batteria.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eLe forme aperte, i groove modali e i temi spirituali dell'album sottolineano la continua ricerca di Sanders di trascendenza e affermazione culturale attraverso il suono. Con melodie simili a canti, motivi circolari e trame ritmiche coinvolgenti, brani come \"The Gathering\" e la title track riflettono un lato più meditativo ed esplorativo dell'estetica di Sanders. Elevation si colloca verso la fine del periodo di Sanders alla Impulse! – un'opera coesa e spiritualmente profonda che unisce la grezza energia dei primi album a un suono più profondo e arioso.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eLa serie Verve Vault è sempre masterizzata da nastri analogici e stampata su vinile da 180 g presso Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElevation\u003c\/li\u003e\n\u003cli\u003eGreeting To Saud (Brother McCoy Tyner)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eOre-Se-Rere (Nigerian Juju HiLife)\u003c\/li\u003e\n\u003cli\u003eThe Gathering\u003c\/li\u003e\n\u003cli\u003eSpiritual Blessing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pharoah Sanders","offers":[{"title":"Default Title","offer_id":45938500436147,"sku":"0602478984877","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Pharoah-Sanders_Elevation-Verve-Vault_Vinyl_s520140_o7898796_a610167_v13762416.210ec11c.png?v=1788349260"},{"product_id":"walter-smith-iii-twio-vol-2","title":"Twio Vol. 2 | 1LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePer il suo terzo album con la Blue Note, il sassofonista tenore Walter Smith III ripropone il suo concept Twio con il piacevolissimo Vol. 2, una raccolta di classici del jazz che trasuda un giocoso senso di gioiosa libertà. L'album vanta una nuova formazione di musicisti, tra cui il bassista Joe Sanders e il batterista Kendrick Scott, oltre alla partecipazione speciale di illustri veterani come Ron Carter al contrabbasso e Branford Marsalis al sassofono tenore.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Ideal (feat. Joe Sanders \u0026amp; Kendrick Scott)\u003c\/li\u003e\n\u003cli\u003eCircus (feat. Joe Sanders \u0026amp; Kendrick Scott)\u003c\/li\u003e\n\u003cli\u003eLight Blue (feat. Joe Sanders \u0026amp; Kendrick Scott)\u003c\/li\u003e\n\u003cli\u003eCasual - Lee (feat. Ron Carter, Kendrick Scott \u0026amp; Branford Marsalis)\u003c\/li\u003e\n\u003cli\u003eLawns (feat. 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Ron Carter, Kendrick Scott \u0026amp; Branford Marsalis)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Walter Smith III","offers":[{"title":"Default Title","offer_id":45938500468915,"sku":"0602488137973","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_e8d3363b-7ee6-4e7e-aa14-4610f8016392.png?v=1788349261"},{"product_id":"medeski-martin-wood-tonic-blue-note-classic-vinyl-series-2lp","title":"Tonic | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2000\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trio avant-jazz-funk Medeski Martin \u0026amp; Wood – John Medeski alle tastiere, Billy Martin alla batteria e Chris Wood al basso – ha debuttato con la Blue Note nel 1998 con l'esplosivo Combustication, che ha portato la tradizione organistica della Blue Note a livelli inesplorati. Per il loro secondo album con la Blue Note, la band è tornata alle radici acustiche con l'album live Tonic del 1999, registrato nella loro formazione originale pianoforte-contrabbasso-batteria nell'intimo e amato locale del Lower East Side di New York. Il set includeva brani originali e avventurosi del trio come \"Seven Deadlies\" e \"Rise Up\", insieme a cover di canzoni di Lee Morgan (\"Afrique\"), Bud Powell (\"Buster Rides Again\"), John Coltrane (\"Your Lady\") e Jimi Hendrix (\"Hey Joe\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLP 1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003eInvocation\u003c\/li\u003e\n\u003cli\u003eAfrique\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003eSeven Deadlies\u003c\/li\u003e\n\u003cli\u003eYour Lady\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP 2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRise Up\u003c\/li\u003e\n\u003cli\u003eBuster Rides Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThaw\u003c\/li\u003e\n\u003cli\u003eHey Joe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Medeski Martin \u0026 Wood","offers":[{"title":"Default Title","offer_id":45938500501683,"sku":"0602475653257","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/7_b12c87ba-228b-4856-9e03-9b3e67825eac.png?v=1788349262"},{"product_id":"john-scofield-meant-to-be-blue-note-classic-vinyl-series-2lp","title":"Meant To Be | 2LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1991\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl quartetto di John Scofield con il sassofonista tenore Joe Lovano è stato uno dei gruppi jazz moderni di punta degli anni '90 e il secondo album del chitarrista per la Blue Note, Meant To Be, ha messo in piena mostra tutta la potenza e la raffinata musicalità della band. La formazione Scofield-Lovano era stata presentata l'anno precedente con l'album di debutto di Scofield per l'etichetta, Time On My Hands, e qui sono affiancati dal bassista Marc Johnson e dal batterista Bill Stewart per un'avvincente scaletta di 11 brani originali di Scofield. Il quartetto si scatena in pezzi energici e veloci come \"Big Fan\" e \"Go Blow\", porta il funk in brani come \"Chariots\" e rallenta il ritmo per le splendide interpretazioni di ballate come \"Keep Me In Mind\" e \"The Guinness Spot\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLP 1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003eBig Fan\u003c\/li\u003e\n\u003cli\u003eKeep Me In Mind\u003c\/li\u003e\n\u003cli\u003eGo Blow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003eChariots\u003c\/li\u003e\n\u003cli\u003eThe Guiness Spot\u003c\/li\u003e\n\u003cli\u003eMr. Coleman To You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eLP 2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEisenhower\u003c\/li\u003e\n\u003cli\u003eMeant To Be\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSome Nerve\u003c\/li\u003e\n\u003cli\u003eLost In Space\u003c\/li\u003e\n\u003cli\u003eFrench Flics\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"John Scofield","offers":[{"title":"Default Title","offer_id":45938500599987,"sku":"0602475653226","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/6_3538dcba-349e-4d42-8fcf-f6553e24c813.png?v=1788349263"},{"product_id":"bill-frisell-in-my-dreams-2lp","title":"In My Dreams | 2LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl nuovo progetto di Bill Frisell, In My Dreams, è una sorta di riunione di famiglia, che riunisce alcuni degli amici più cari dell'acclamato chitarrista in un sestetto unico, composto da Jenny Scheinman al violino, Eyvind Kang alla viola, Hank Roberts al violoncello, Thomas Morgan al contrabbasso e Rudy Royston alla batteria. La loro profonda storia musicale risale a decenni fa, ma mai prima d'ora in questa particolare formazione, e insieme esplorano un ampio repertorio di musica americana, includendo brani originali di Frisell, così come classici del jazz e dell'americana. Prodotto da Lee Townsend, l'album uscirà in occasione delle celebrazioni per il 75° compleanno di Frisell.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eBlue Note, 2026\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eIl nuovo progetto di Bill Frisell, In My Dreams, è una sorta di reunion.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eDisc 1\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrapped in the Sky\u003c\/li\u003e\n\u003cli\u003eWhen We Go\u003c\/li\u003e\n\u003cli\u003eIn My Dreams\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIsfahan\u003c\/li\u003e\n\u003cli\u003eGive Me a Home\u003c\/li\u003e\n\u003cli\u003eWhy?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eDisc 2\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCurtis (a year and a day)\u003c\/li\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003cli\u003eAgain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSmall Hands\u003c\/li\u003e\n\u003cli\u003eNever Too Late\u003c\/li\u003e\n\u003cli\u003eHome On The Range\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bill Frisell","offers":[{"title":"Default Title","offer_id":45938500632755,"sku":"0602488137676","price":37.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_ecb488a4-12c6-46d9-a840-2817b4222b36.png?v=1788349264"},{"product_id":"the-messthetics-and-james-brandon-lewis-deface-the-currency-1lp","title":"Deface The Currency | 1LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/impulse\"\u003eImpulse!\u003c\/a\u003e, 2026\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDeface the Currency è la seconda collaborazione tra The Messthetics e James Brandon Lewis. Cattura il suono di ciò che una forgia di 150 concerti in un anno può fare a una band. Sono diventati un gruppo nato per distruggere sul palco. Questo disco è ampio, ambizioso e spontaneo.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeface The Currency\u003c\/li\u003e\n\u003cli\u003eGestations\u003c\/li\u003e\n\u003cli\u003e30 Years Of Knowing\u003c\/li\u003e\n\u003cli\u003eRules Of The Game\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eUniversal Security\u003c\/li\u003e\n\u003cli\u003eClutch\u003c\/li\u003e\n\u003cli\u003eSerpent Tongue (Slight Return)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"The Messthetics and James Brandon Lewis","offers":[{"title":"Default Title","offer_id":45938500731059,"sku":"0602488348669","price":27.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_badb3a6e-8388-4a2b-8921-c812311b7620.png?v=1788349266"},{"product_id":"oscar-peterson-affinity-verve-acoustic-sounds-series-1lp","title":"Affinity | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAffinity cattura una sessione in studio del settembre 1962 a Chicago, con Peterson al pianoforte insieme ai suoi storici compagni di trio Ray Brown (contrabbasso) ed Ed Thigpen (batteria). L'album offre una raffinata selezione di standard eseguiti con la sicura intesa che ha caratterizzato il trio Peterson\/Brown\/Thigpen. La prima registrazione di Peterson del classico di Bill Evans \"Waltz For Debby\" è un'interpretazione lirica e ricca di sfumature, mentre \"Gravy Waltz\", scritto in collaborazione con Ray Brown, mette in mostra la spinta ritmica e il sottile groove del trio. Nel complesso, Affinity è un esempio di gusto raffinato e ben realizzato del lavoro di Peterson nei primi anni '60: una solida registrazione in trio che riflette il suo costante impegno per lo swing, la delicatezza e l'equilibrio d'insieme, rendendola un pezzo prezioso per qualsiasi collezione jazz di alto livello.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaltz For Debbie\u003c\/li\u003e\n\u003cli\u003eTangerine\u003c\/li\u003e\n\u003cli\u003eGravy Waltz\u003c\/li\u003e\n\u003cli\u003eThis Could Be The Start Of Something\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaubles, Bangles And Beads\u003c\/li\u003e\n\u003cli\u003eSix And Four\u003c\/li\u003e\n\u003cli\u003eI'm A Fool To Want You\u003c\/li\u003e\n\u003cli\u003eYours Is My Heart Alone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Oscar Peterson","offers":[{"title":"Default Title","offer_id":45938500763827,"sku":"0602478282140","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_dba3a579-f2dd-4bae-8da7-4e8bf168b757.png?v=1788349267"},{"product_id":"oscar-peterson-oscar-peterson-trio-plus-one-verve-acoustic-sounds-series-1lp","title":"Oscar Peterson Trio + One | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1964\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUna sessione di registrazione newyorkese dell'agosto 1964 che vede il consolidato trio di Peterson – Ray Brown (contrabbasso) ed Ed Thigpen (batteria) – affiancato dall'ospite Clark Terry (tromba\/flicorno). Questo album segna un momento cruciale nel passaggio di Peterson dai tour in trio a un lavoro in studio più mirato, con collaboratori esterni. Il trio suona con la sua consueta coesione, dando a Terry lo spazio per aggiungere parti di fiati e occasionali fraseggi \"mormorati\". Tra i brani chiave spiccano \"Brotherhood of Man\", noto per la sua struttura compatta e gli assoli equilibrati, e \"Jim\", che mette in luce la fusione del suono di Terry con l'approccio sobrio di Peterson. L'album rappresenta un documento conciso di due figure di spicco del jazz che lavorano in un piccolo gruppo durante un periodo in cui le sessioni in studio stavano diventando più raffinate e ponderate.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrotherhood Of Man\u003c\/li\u003e\n\u003cli\u003eJim\u003c\/li\u003e\n\u003cli\u003eBlues For Smedley\u003c\/li\u003e\n\u003cli\u003eRoundalay\u003c\/li\u003e\n\u003cli\u003eMumbles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMack The Knife\u003c\/li\u003e\n\u003cli\u003eThey Didn't Believe Me\u003c\/li\u003e\n\u003cli\u003eSqueaky's Blues\u003c\/li\u003e\n\u003cli\u003eI Want A Little Girl\u003c\/li\u003e\n\u003cli\u003eIncoherent Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Oscar Peterson Trio","offers":[{"title":"Default Title","offer_id":45938500829363,"sku":"0602478282133","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_a336b4e4-f8f1-4dcf-9a24-0f9d14926f92.png?v=1788349268"},{"product_id":"lawrence-marable-tenorman-blue-note-tone-poet-series-1lp","title":"Tenorman | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1956\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eTenorman, un album jazz della West Coast che sprigiona tutta la grinta dell'hard bop, è una sessione energica e swingante guidata dall'stimato batterista Marable, che ha lanciato il giovane sassofonista texano Clay, supportato dal solido pianista Sonny Clark e dal contrabbassista Jimmy Bond. Registrato nell'agosto del 1956 ai Capitol Studios di Hollywood per l'etichetta Jazz: West, una piccola etichetta discografica affiliata alla Pacific Jazz, l'album presenta interpretazioni convincenti di brani celebri (\"The Devil And The Deep Blue Sea\", \"Easy Living\", \"Willow Weep For Me\", \"Lover Man\") con l'aggiunta di tre composizioni originali di Clark (\"Minor Meeting\", \"Three Fingers North\", \"Marbles\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Devil And The Deep Blue Sea\u003c\/li\u003e\n\u003cli\u003eEasy Living\u003c\/li\u003e\n\u003cli\u003eMinor Meeting\u003c\/li\u003e\n\u003cli\u003eAir Tight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWillow Weep For Me\u003c\/li\u003e\n\u003cli\u003eThree Fingers North\u003c\/li\u003e\n\u003cli\u003eLover Man\u003c\/li\u003e\n\u003cli\u003eMarbles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lawrence Marable","offers":[{"title":"Default Title","offer_id":45938500894899,"sku":"0602458422788","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_e756cb5f-1fd4-4a17-850a-f36b739c2168.png?v=1788349269"},{"product_id":"andrew-hill-compulsion-blue-note-tone-poet-series-1lp","title":"Compulsion!!!!! | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1967\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUno dei lavori più audaci nella discografia di Andrew Hill, Compulsion del 1965, rappresenta l'espressione dell'avanguardia del pianista attraverso il prisma delle radici del jazz nei ritmi africani. Il pianoforte percussivo di Hill guida un ensemble audace attraverso quattro suggestivi brani originali – \"Compulsion\", \"Legacy\", \"Premonition\" e \"Limbo\" – interpretati con grande intensità dal trombettista Freddie Hubbard, dal sassofonista John Gilmore, dai bassisti Cecil McBee e Richard Davis, dal batterista Joe Chambers e dai percussionisti Nedi Qamar e Renaud Simmons.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCompulsion\u003c\/li\u003e\n\u003cli\u003eLegacy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003ePremonition\u003c\/li\u003e\n\u003cli\u003eLimbo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Andrew Hill","offers":[{"title":"Default Title","offer_id":45938500927667,"sku":"0602458422764","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_35ede3e2-1a6e-4520-b5a5-a564d52cccc5.png?v=1788349270"},{"product_id":"sonny-rollins-brass-trio-verve-vault-series-1lp","title":"Brass | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBrass\/Trio, pubblicato nel 1958 dalla Verve Records, è un'insolita opera a due facce del sassofonista Sonny Rollins: da un lato una sessione con un'intera orchestra di ottoni, dall'altro un trio di sassofoni in formazione ridotta. La prima parte vede Rollins accompagnato da un ensemble di ottoni arrangiato e diretto da Ernie Wilkins, registrato a New York nel luglio del 1958. La formazione comprende il trombettista Harry \"Sweets\" Edison, i trombonisti J.J. Johnson e Jimmy Cleveland e il suonatore di tuba Don Butterfield, supportati da una sezione ritmica composta dal pianista Dick Katz, dal chitarrista Rene Thomas, dal contrabbassista Henry Grimes e dal batterista Roy Haynes. Insieme, forniscono uno sfondo swing e armonicamente ricco per Rollins in standard come \"Who Cares?\" e \"Love Is A Simple Thing\". La seconda parte dell'album è stata registrata qualche giorno dopo a Los Angeles con il bassista Henry Grimes e il batterista Specs Wright: una formazione ridotta a un trio che mette in risalto la padronanza ritmica e l'elasticità melodica di Rollins. Brani come \"Raincheck\", \"My One and Only Love\" e \"Just in Time\" dimostrano la sua capacità di passare con disinvoltura dall'interpretazione di ballate a rapide improvvisazioni.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Cares?\u003c\/li\u003e\n\u003cli\u003eLove Is A Simple Thing\u003c\/li\u003e\n\u003cli\u003eGrand Street\u003c\/li\u003e\n\u003cli\u003eFar Out East\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eWhat’s My Name?\u003c\/li\u003e\n\u003cli\u003eIf You Were The Only Girl In The World\u003c\/li\u003e\n\u003cli\u003eManhattan\u003c\/li\u003e\n\u003cli\u003eBody \u0026amp; Soul\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sonny Rollins","offers":[{"title":"Default Title","offer_id":45938500960435,"sku":"0602478984839","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Sonny-Rollins_Brass-Trio_Verve-Vault-Vinyl_s519804_o7871111_a606812_v13746503.b6dbeb20_047a7f1f-def6-4c12-adec-54c0253128ff.png?v=1788349271"},{"product_id":"stan-getz-the-oscar-peterson-trio-stan-getz-and-the-oscar-peterson-trio-verve-vault-series-1lp","title":"Stan Getz And The Oscar Peterson Trio | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eStan Getz and the Oscar Peterson Trio, pubblicato nel 1958 dalla Verve Records, documenta un raro incontro tra due grandi del jazz contrastanti ma complementari: il sassofonista tenore dal suono freddo Stan Getz e l'energico Oscar Peterson Trio. Prodotto da Norman Granz e registrato a Hollywood nell'ottobre del 1957, l'album vede Getz unirsi a una sezione ritmica veterana già considerata una delle più coese del jazz: Peterson al pianoforte, Herb Ellis alla chitarra e Ray Brown al contrabbasso. Senza batterista, il gruppo mantiene uno swing vivace e propulsivo, dando a Getz lo spazio per esprimersi in un programma di standard e brani originali, tra cui \"I Want to Be Happy\", \"Tour's End\" e \"Bronx Blues\". Sebbene Getz fosse spesso ascoltato in contesti più pacati o orchestrali in quel periodo, questa sessione mette in luce la sua padronanza del linguaggio bebop e dello swing in formazioni ridotte. Il trio di Peterson, noto per la sua energia e reattività, si adatta con fluidità al tono e al fraseggio di Getz, dando vita a una sessione caratterizzata da un'interazione rilassata, chiarezza ritmica e virtuosismo discreto.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Want To Be Happy\u003c\/li\u003e\n\u003cli\u003ePennies From Heaven\u003c\/li\u003e\n\u003cli\u003eBallad Medley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI’m Glad There’s You\u003c\/li\u003e\n\u003cli\u003eTour’s End\u003c\/li\u003e\n\u003cli\u003eI was Doing All Right\u003c\/li\u003e\n\u003cli\u003eBronx Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Stan Getz, The Oscar Peterson Trio","offers":[{"title":"Default Title","offer_id":45938501058739,"sku":"0602478984853","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Stan-Getz_Stan-Getz-The-Oscar-Peterson-Trio_Verve-Vault-Vinyl_s519805_o7871151_a606822_v13746522.12d9e9c8.png?v=1788349273"},{"product_id":"j-j-johnson-the-eminent-jay-jay-johnson-vol-2-blue-note-classic-vinyl-series-1lp","title":"The Eminent Jay Jay Johnson, Vol. 2 | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1954\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJ.J. Johnson adattò il linguaggio del bebop al trombone, guadagnandosi l'ammirazione di Fats Navarro, Dizzy Gillespie e Charlie Parker. Dopo aver partecipato alla prima sessione di Miles Davis per la Blue Note nel 1952, Alfred Lion diede a Johnson l'opportunità di dirigere diverse sue formazioni, tra cui un sestetto nel 1953 con il trombettista Clifford Brown, il sassofonista Jimmy Heath, il pianista John Lewis, il contrabbassista Percy Heath e il batterista Kenny Clarke; un quintetto nel 1954 con Wynton Kelly al pianoforte, Charles Mingus al contrabbasso, Sabu Martinez alle percussioni e Clarke alla batteria; e un quintetto nel 1955 con Hank Mobley al sassofono tenore, Horace Silver al pianoforte, Paul Chambers al contrabbasso e Clarke ancora una volta alla batteria. Nel 1956, la Blue Note passò dal formato LP da 10\" a quello da 12\" e diede inizio alla Serie 1500, pubblicando due raccolte ampliate delle registrazioni del trombonista, tra cui The Eminent Jay Jay Johnson, Vol. 2 (BLP 1506).\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDaylie\" Double\u003c\/li\u003e\n\u003cli\u003ePennies From Heaven\u003c\/li\u003e\n\u003cli\u003eYou're Mine You\u003c\/li\u003e\n\u003cli\u003eTurnpike (Alternate Master)\u003c\/li\u003e\n\u003cli\u003eIt Could Happen To You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eGroovin'\u003c\/li\u003e\n\u003cli\u003ePortrait Of Jennie\u003c\/li\u003e\n\u003cli\u003eViscosity\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eCapri (Alternate Master)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Jay Jay Johnson","offers":[{"title":"Default Title","offer_id":45938501091507,"sku":"0602475448235","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_3ea7347e-368a-4633-86c6-45d1a5dabea1.png?v=1788349274"},{"product_id":"thelonious-monk-genius-of-modern-music-vol-2-blue-note-classic-vinyl-series-1lp","title":"Genius Of Modern Music Vol.2 | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1952\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThelonious Monk era una figura poco conosciuta nella scena bebop di New York quando Alfred Lion, fondatore della Blue Note, scoprì e si innamorò della musica assolutamente unica del pianista, offrendogli la sua prima opportunità di registrare come leader nel 1947. Nei cinque anni successivi, Lion registrò Monk in diverse formazioni, mentre eseguiva le sue composizioni singolari. Nel 1956, la Blue Note passò dal formato LP da 10\" a quello da 12\" e diede inizio alla Serie 1500, pubblicando due compilation ampliate di Monk, tra cui Genius of Modern Music, Vol. 2 (BLP 1511), che presentava brani classici di Monk come \"Straight No Chaser\", \"Four In One\" e \"Monk's Mood\", e una delle prime copertine disegnate da Reid Miles per l'etichetta.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCarolina Moon\u003c\/li\u003e\n\u003cli\u003eHornin' In\u003c\/li\u003e\n\u003cli\u003eSkippy\u003c\/li\u003e\n\u003cli\u003eLet's Cool One\u003c\/li\u003e\n\u003cli\u003eSuburban Eyes\u003c\/li\u003e\n\u003cli\u003eEvonce\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eStraight No Chaser\u003c\/li\u003e\n\u003cli\u003eFour In One\u003c\/li\u003e\n\u003cli\u003eNice Work\u003c\/li\u003e\n\u003cli\u003eMonk's Mood\u003c\/li\u003e\n\u003cli\u003eWho Knows\u003c\/li\u003e\n\u003cli\u003eAsk Me Now\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Thelonious Monk","offers":[{"title":"Default Title","offer_id":45938501124275,"sku":"0602475448174","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_60425a43-dfb6-4a43-8a2a-892d7bd4447f.png?v=1788349275"},{"product_id":"dinah-washington-what-a-diff-rence-a-day-makes-verve-vault-series-1lp","title":"What A Diff’rence A Day Makes | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"What A Diff’rence A Day Makes\", pubblicato nel 1959 dalla Mercury Records, segnò una svolta nella carriera della cantante Dinah Washington, facendole vincere un Grammy Award e portando il suo ricco stile, influenzato dal blues, nel mondo del pop orchestrale più sfarzoso. Prodotto da Clyde Otis e arrangiato da Belford Hendricks, l'album rappresenta il passaggio di successo di Washington dal jazz e dall'R\u0026amp;B al mercato pop mainstream. La title track, originariamente scritta in spagnolo negli anni '30 e resa popolare in inglese da altre cantanti, divenne la canzone simbolo di Washington dopo che la sua versione scalò le classifiche di Billboard e vinse il Grammy Award del 1960 come miglior performance Rhythm \u0026amp; Blues, il primo anno in cui il premio venne assegnato. L'album bilancia la presenza vocale autorevole di Washington con arrangiamenti sofisticati che fondono archi, sezione ritmica e ottoni leggeri. Brani come \"Cry Me a River\", \"Manhattan\" e \"Time After Time\" mettono in luce la sua capacità di trasmettere sfumature emotive e fraseggi ritmici con precisione e naturalezza. Il risultato è una fusione impeccabile tra tradizione jazz e produzione contemporanea, che consacra Washington come una delle voci più versatili ed espressive della sua generazione.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Remember You\u003c\/li\u003e\n\u003cli\u003eI Thought About you\u003c\/li\u003e\n\u003cli\u003eThat’s All There Is To That\u003c\/li\u003e\n\u003cli\u003eI Won’t Cry Anymore\u003c\/li\u003e\n\u003cli\u003eI’m Thru With Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eCry Me A River\u003c\/li\u003e\n\u003cli\u003eWhat A Diff'rence A Day Makes\u003c\/li\u003e\n\u003cli\u003eNothing In The World (Could Make Me Love More Than I Do)\u003c\/li\u003e\n\u003cli\u003eManhattan\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eIt’s Magic\u003c\/li\u003e\n\u003cli\u003eA Sunday Kind Of Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dinah Washington","offers":[{"title":"Default Title","offer_id":45938501255347,"sku":"0602478849121","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/4_7d2cc3ba-72fb-478a-a3c0-6f02fe4a2979.png?v=1788349276"},{"product_id":"blossom-dearie-give-him-the-ooh-la-la-verve-vault-series-1lp","title":"Give Him The Ooh La La | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eGive Him The Ooh-La La, pubblicato nel 1958 dalla Verve Records, cattura la caratteristica miscela di sobria eleganza, dizione impeccabile e finezza armonica della pianista e cantante Blossom Dearie. Prodotto da Norman Granz, l'album vede Dearie al pianoforte e alla voce, alla guida di un quartetto con il chitarrista Herb Ellis, il bassista Ray Brown e il batterista Jo Jones. Il programma include brani di Cole Porter, Rodgers \u0026amp; Hart e Noël Coward, insieme a due composizioni scritte in collaborazione con Dearie — \"Try Your Wings\" e \"Bang Goes the Drum (And You're in Love)\" — che mettono in luce il suo spirito e il suo tocco compositivo. Dal fascino sornione della title track alla graziosa malinconia di \"Plus je t'embrasse\", le performance di Dearie bilanciano eleganza e disinvoltura ritmica. Gli arrangiamenti intimi lasciano spazio a una sottile interazione tra la sua voce e il pianoforte, supportata da una sezione ritmica intrisa del linguaggio dello swing e del bebop.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust One Of Those Things\u003c\/li\u003e\n\u003cli\u003eLike Someone In Love\u003c\/li\u003e\n\u003cli\u003eBetween The Devil And The Deep Blue Sea\u003c\/li\u003e\n\u003cli\u003eThey Say It's Spring\u003c\/li\u003e\n\u003cli\u003eTry Your Wings\u003c\/li\u003e\n\u003cli\u003eBang Goes The Drum (And You're In Love)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eThe Riviera\u003c\/li\u003e\n\u003cli\u003eThe Middle Of Love\u003c\/li\u003e\n\u003cli\u003ePlus Je T'Embrasse\u003c\/li\u003e\n\u003cli\u003eGive Him The Ooh-La-La\u003c\/li\u003e\n\u003cli\u003eLet Me Love You\u003c\/li\u003e\n\u003cli\u003eI Walk A Little Faster\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blossom Dearie","offers":[{"title":"Default Title","offer_id":45938501320883,"sku":"0602478849145","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/3_cb112e78-7ae0-4bd7-8fa9-9d702a261a64.png?v=1788349278"},{"product_id":"art-blakey-free-for-all-blue-note-classic-vinyl-series-1lp","title":"Free For All | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFree For All di Art Blakey \u0026amp; The Jazz Messengers è stato forse l'album più potente della band, caratterizzato da una formidabile formazione a sestetto con il grande batterista affiancato dal sassofonista tenore Wayne Shorter, dal trombettista Freddie Hubbard, dal trombonista Curtis Fuller, dal pianista Cedar Walton e dal bassista Reggie Workman. Registrato nel febbraio del 1964, a più di due anni dall'ultima registrazione dei Messengers per la Blue Note, la musica era pervasa dall'energia vibrante del movimento per i diritti civili, con brani come la travolgente title track e l'incalzante \"Hammer Head\", entrambe composte da Shorter, e il dinamico pezzo di Hubbard \"The Core\", dedicato al Congress of Racial Equality. L'album si conclude con un'atmosfera gioiosa, con un'intramontabile interpretazione dello standard jazz dalle sonorità bossa nova di Clare Fischer, \"Pensativa\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFree For All\u003c\/li\u003e\n\u003cli\u003eHammer Head\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eThe Core\u003c\/li\u003e\n\u003cli\u003ePensativa\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Art Blakey","offers":[{"title":"Default Title","offer_id":45938501451955,"sku":"0602475225065","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_87.png?v=1788349279"},{"product_id":"joe-henderson-our-thing-blue-note-classic-vinyl-series-1lp","title":"Our Thing | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1964\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDopo aver registrato il suo promettente album di debutto Page One nel giugno del 1963, Joe Henderson tornò al Van Gelder Studio tre mesi dopo per il suo secondo album per la Blue Note, Our Thing, che mise nuovamente in luce la profonda intesa tra il sassofonista tenore e il suo frequente collaboratore Kenny Dorham alla tromba. Protagonisti e compositori di tutti i brani di questo vivace set di cinque canzoni, il duo detta il ritmo, accompagnato da una straordinaria sezione ritmica con Andrew Hill al pianoforte, Eddie Khan al contrabbasso e Pete La Roca alla batteria. L'album si apre con l'energica \"Teeter Totter\" di Henderson e include un altro brano dal ritmo sostenuto, la title track. Il sublime tocco compositivo di Dorham si percepisce nella frizzante \"Pedro's Time\", nell'energica \"Back Road\" e nella lirica \"Escapade\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTeeter Totter\u003c\/li\u003e\n\u003cli\u003ePedro's Time\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eOur Thing\u003c\/li\u003e\n\u003cli\u003eBack Road\u003c\/li\u003e\n\u003cli\u003eEscapade\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Joe Henderson","offers":[{"title":"Default Title","offer_id":45938501550259,"sku":"0602475225102","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_5013ef40-5384-4458-a903-2ab377af7613.png?v=1788349280"},{"product_id":"bennie-green-back-on-the-scene-blue-note-tone-poet-series-1lp","title":"Back On The Scene | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombonista di Chicago Bennie Green fece il suo debutto con la Blue Note nel 1958 con il suo delizioso album Back On The Scene, accompagnato da un quintetto stellare composto dal sassofonista Charlie Rouse, dal pianista Joe Knight, dal contrabbassista George Tucker e dal batterista Louis Hayes. Dallo swing brioso ai ritmi latini, fino alle ballate più delicate, la band offre un programma davvero piacevole che include standard (\"I Love You\", \"Just Friends\", \"You're Mine You\"), l'originale di Green \"Bennie Plays The Blues\" e due composizioni della meravigliosa compositrice jazz e collega trombonista Melba Liston (\"Melba's Mood\", \"Green Street\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Love You\u003c\/li\u003e\n\u003cli\u003eMelba's Mood\u003c\/li\u003e\n\u003cli\u003eJust Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eYou're Mine You\u003c\/li\u003e\n\u003cli\u003eBennie Plays The Blues\u003c\/li\u003e\n\u003cli\u003eGreen Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bennie Green","offers":[{"title":"Default Title","offer_id":45938501615795,"sku":"0602458270020","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_9f330fb7-b2ab-4cba-a73d-9c452bc401ea.png?v=1788349282"},{"product_id":"lee-morgan-city-lights-blue-note-tone-poet-series-1lp","title":"City Lights | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1958\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl trombettista Lee Morgan aveva appena 19 anni ed era ancora agli inizi della sua lunga collaborazione con la Blue Note quando incise il suo brillante album swing City Lights nell'agosto del 1957. L'album vedeva la partecipazione di un meraviglioso sestetto con Curtis Fuller al trombone, George Coleman al sassofono contralto e tenore, Ray Bryant al pianoforte, Paul Chambers al contrabbasso e Art Taylor alla batteria. Il brillante giovane prodigio della tromba continuava a far parlare di sé con le sue performance memorabili come membro della Dizzy Gillespie Big Band, e questo eccellente album di 5 brani forniva un'ulteriore prova del suo incontenibile talento. L'album include tre composizioni del mentore di Morgan, Benny Golson (\"City Lights\", \"Tempo De Waltz\", \"Just By Myself\"), oltre a una splendida interpretazione della ballata \"You're Mine You\" e al coinvolgente brano di chiusura \"Kin Folk\" di Gigi Gryce.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCity Lights\u003c\/li\u003e\n\u003cli\u003eTempo De Waltz\u003c\/li\u003e\n\u003cli\u003eYou're Mine You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eJust By Myself\u003c\/li\u003e\n\u003cli\u003eKin Folks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":45938501714099,"sku":"0602458119978","price":39.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/5_cc09a18c-3a9c-4049-bba4-626bd04ac7ed.png?v=1788349283"},{"product_id":"hank-mobley-hank-blue-note-tone-poet-series-1lp","title":"Hank | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl sassofonista tenore Hank Mobley fece la sua prima apparizione sulla Blue Note Records nel 1954 come membro dei Jazz Messengers sotto la guida di Horace Silver e iniziò a dirigere i suoi concerti l'anno successivo, segnando l'inizio di una fruttuosa collaborazione di 15 anni con l'etichetta. Mobley stava ancora definendo la sua identità unica come improvvisatore dallo stile lirico e swingante e come compositore di spicco nei suoi primi dischi per la Blue Note, tra cui l'album del sestetto del 1957 Hank (BLP 1560) con Donald Byrd alla tromba, John Jenkins al sax contralto, Bobby Timmons al pianoforte, Wilbur Ware al contrabbasso e Philly Joe Jones alla batteria. Il lato A presenta due accattivanti brani originali di Mobley: \"Fit For A Hanker\" e \"Hi Groove, Low Feedback\", mentre il lato B offre una vivace e spassosa interpretazione di \"You'd Be So Easy To Love\" di Cole Porter e un'elegante esecuzione della ballata di Styne-Cahn \"Time After Time\", prima di concludersi con una scatenata versione di \"Dance Of The Infidels\" di Bud Powell.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFit For A Hanker\u003c\/li\u003e\n\u003cli\u003eHi Groove, Low Feed-Back\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEasy To Love\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eDance Of The Infidels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hank Mobley","offers":[{"title":"Default Title","offer_id":45938501746867,"sku":"0602465247831","price":39.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_0a950a06-13b6-4439-9519-98448108698b.png?v=1788349283"},{"product_id":"tyrone-washington-natural-essence-blue-note-tone-poet-series-1lp","title":"Natural Essence | 1LP (Blue Note Tone Poet Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/capitol\"\u003eBlue Note\u003c\/a\u003e, 1967\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eL'album di debutto di Tyrone Washington del 1967, Natural Essence, presentò una nuova voce vitale nel jazz, la cui concezione unica poteva spaziare dal post-bop esplorativo al soul jazz basato sul groove, incanalando l'intensa carica dell'avanguardia. Proveniente dal quintetto di Horace Silver, il sassofonista tenore offrì il suo biglietto da visita in questa suggestiva raccolta di sei composizioni originali. Washington aveva fatto la sua prima apparizione alla Blue Note l'anno precedente nell'album di Silver, The Jody Grind, come parte di una sezione di fiati che includeva anche il trombettista Woody Shaw e il sassofonista contralto James Spaulding. Washington avrebbe riunito la stessa formazione per il suo album da leader, insieme a una versatile sezione ritmica composta dal pianista Kenny Barron, dal contrabbassista Reggie Workman e dal batterista Joe Chambers. Tra i brani più significativi dell'album figurano la sinuosa title track, la struggente ballata \"Yearning For Love\", lo swing propulsivo e incalzante di \"Positive Path\" e l'irrefrenabile groove di \"Soul Dance\".\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNatural Essence\u003c\/li\u003e\n\u003cli\u003eYearning For Love\u003c\/li\u003e\n\u003cli\u003ePositive Path\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSoul Dance\u003c\/li\u003e\n\u003cli\u003eEthos\u003c\/li\u003e\n\u003cli\u003eSong Of Peace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tyrone Washington","offers":[{"title":"Default Title","offer_id":45938501845171,"sku":"0602458422795","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_84.png?v=1788349285"},{"product_id":"jimmy-smith-organ-grinder-swing-verve-acoustic-sounds-series-1lp","title":"Organ Grinder Swing | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePubblicato a metà del 1965, questo album in trio vede Jimmy Smith prendersi una pausa dalle tipiche sessioni con la big band che aveva realizzato per la Verve, con la partecipazione di Kenny Burrell (chitarra) e Grady Tate (batteria) per reinterpretare una selezione di standard blues e jazz. Dalla title track al suo brano \"Blues For J\", Smith e questo gruppo di stelle dimostrano una completa padronanza di quella che è probabilmente la formazione jazz più swing di tutte: il trio con organo.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Organ Grinder's Swing\u003c\/li\u003e\n\u003cli\u003eOh, No, Babe\u003c\/li\u003e\n\u003cli\u003eBlues For J\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGreensleeves\u003c\/li\u003e\n\u003cli\u003eI'll Close My Eyes\u003c\/li\u003e\n\u003cli\u003eSatin Doll\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jimmy Smith","offers":[{"title":"Default Title","offer_id":45938501877939,"sku":"0602478866418","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_82.png?v=1788349286"},{"product_id":"jimmy-smith-bashin-the-unpredictable-verve-acoustic-sounds-series-1lp","title":"The Unpredictable Jimmy Smith – Bashin’ \/ Acoustic Sounds | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1962\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIl primo album di Jimmy Smith per la Verve, registrato nel 1962, Bashin', vede l'organista in due formazioni molto diverse: la prima con una big band diretta da Oliver Nelson (che includeva il promettente trombettista Doc Severinsen), e la seconda con il trio abituale di Smith con Quentin Warren (chitarra) e Donald Bailey (batteria). Questo storico album rappresentò un punto di svolta per la carriera di Smith, con il brano \"Walk on the Wild Side\" che divenne il suo più grande successo fino a quel momento, raggiungendo la posizione numero 21 nella classifica Billboard Hot 100.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalk On The Wild Side\u003c\/li\u003e\n\u003cli\u003eOl' Man River\u003c\/li\u003e\n\u003cli\u003eIn A Mellotone\u003c\/li\u003e\n\u003cli\u003eStep Right Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeggar For The Blues\u003c\/li\u003e\n\u003cli\u003eBashin'\u003c\/li\u003e\n\u003cli\u003eI'm An Old Cowhand (From The Rio Grande)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jimmy Smith","offers":[{"title":"Default Title","offer_id":45938501910707,"sku":"0602478723285","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/Untitleddesign_81.png?v=1788349287"},{"product_id":"wes-montgomery-bumpin-verve-acoustic-sounds-series-1lp","title":"Bumpin' | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1965\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eBumpin', il primo album di Wes Montgomery a entrare nelle classifiche di Billboard, mette in mostra la sua eccezionale maestria alla chitarra, supportata da un'orchestra arrangiata e diretta da Don Sebesky. La sezione ritmica composta da Roger Kellaway (pianoforte), Bob Cranshaw (contrabbasso) e Grady Tate (batteria) aggiunge energia e slancio all'orchestra. Con una selezione di brani di altissimo livello di Dizzy Gillespie, Johnny Mandel, John Francis Burke e dello stesso Montgomery, Bumpin' accompagna l'ascoltatore in un viaggio maestoso ogni volta che lo si ascolta.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBumpin’\u003c\/li\u003e\n\u003cli\u003eTear It Down\u003c\/li\u003e\n\u003cli\u003eA Quiet Thing\u003c\/li\u003e\n\u003cli\u003eCon Alma\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eLove Theme From “The Sandpiper” The Shadow Of Your Smile\u003c\/li\u003e\n\u003cli\u003eMi Cosa\u003c\/li\u003e\n\u003cli\u003eHere’s The Rainy Day\u003c\/li\u003e\n\u003cli\u003eMusty\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Wes Montgomery","offers":[{"title":"Default Title","offer_id":45938502009011,"sku":"0602478366864","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_77ce53b1-34fb-41bb-b4a8-553b3480aade.png?v=1788349289"},{"product_id":"clifford-brown-max-roach-clifford-brown-max-roach-verve-acoustic-sounds-series-1lp","title":"Clifford Brown \u0026 Max Roach | 1LP (Verve Acoustic Sounds Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1955\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRegistrato tra la fine del 1954 e l'inizio del 1955, questo album rappresenta l'apice di quello che alcuni definirono il \"gruppo bop più rappresentativo dell'epoca\", fino al fatale incidente automobilistico di Clifford Brown nel 1956. Secondo dei quattro album realizzati insieme da Brown e Max Roach, Clifford Brown \u0026amp; Max Roach si avvalsero della collaborazione di Harold Land (sassofono tenore), Richie Powell (pianoforte) e George Morrow (contrabbasso) per consolidare la sezione ritmica attorno a Roach. Le composizioni di Brown \"The Blues Walk\", \"Joy Spring\" e \"Daahoud\" sono considerate tra le migliori dell'hard bop, con menzioni degne di nota anche per \"Parisian Thoroughfare\" di Bud Powell e \"Jordu\" di Duke Jordan.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDelilah\u003c\/li\u003e\n\u003cli\u003eParisian Thoroughfare\u003c\/li\u003e\n\u003cli\u003eThe Blues Walk\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eDaahoud\u003c\/li\u003e\n\u003cli\u003eJoy Spring\u003c\/li\u003e\n\u003cli\u003eJordu\u003c\/li\u003e\n\u003cli\u003eWhat Am I Here For\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eVerve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Clifford Brown, Max Roach","offers":[{"title":"Default Title","offer_id":45938502041779,"sku":"0602478366857","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_e9f8bfcf-7b66-41f6-8519-3a86d19102d5.png?v=1788349290"},{"product_id":"lee-morgan-the-complete-live-at-the-lighthouse-12lp","title":"The Complete Live At The Lighthouse | 12LP","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 2021\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTre giorni, 12 set. No, non stiamo parlando di tennis, ma del contenuto della prima edizione dell’integrale assoluto dei concerti tenuti tra il 10 e il 12 luglio del 1970 al celebre Lighthouse di Hermosa Beach (guarda di seguito per i dettagli). Di scena il quintetto capeggiato dal grande \u003cstrong\u003eLee Morgan\u003c\/strong\u003e, con \u003cstrong\u003eBennie Maupin\u003c\/strong\u003e (sax tenore, flauto e clarinetto basso), \u003cstrong\u003eHarold Mabern\u003c\/strong\u003e (piano), \u003cstrong\u003eJymie Merritt\u003c\/strong\u003e (basso Ampeg: un contrabbasso elettrico) e \u003cstrong\u003eMickey Roker\u003c\/strong\u003e (batteria). Già estensivamente pubblicate in un triplo album Blue Note entrato nella storia, quelle due giornate sono qui racchiuse in un cofanetto da 12 LP (a tiratura limitata). Le registrazioni (in tutto 33 tracce!) contengono \u003cem\u003epiù di quattro ore di musica travolgente mai udita prima\u003c\/em\u003e. Il cofanetto contiene inoltre un libro con nuovi contributi di Bennie Maupin, l’ultima intervista rilasciata da Jymie Meritt prima della prematura scomparsa, saggi di Jeffery McMillan (autore di Delightfulee: The Life and Music of Lee Morgan) e Michael Cuscuna, interventi di Jack DeJohnette, Wallace Roney, Nicholas Payton, Charles Tolliver, Eddie Henderson, Dave Douglas, foto rare e inedite di Joel Franklin, Lee Tanner e della famiglia di Morgan. L’audio è stato ripreso dal nastro originale da mezzo pollice da Steve Genewick presso i Capitol Studios, il mastering è stato curato da Kevin Gray di Cohearent Audio e infine il tutto stampato su vinile da 180 grammi presso Record Technology Inc. (RTI) a Camarillo, California.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP1 – Friday, July 10, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction by Lee Morgan\u003c\/li\u003e\n\u003cli\u003eThe Beehive\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eSomething Like This\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 1\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eYunjana\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP2 – Friday, July 10, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Remember Britt\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 2\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eBrasiliaIntroduction\u003c\/li\u003e\n\u003cli\u003eAbsolutions\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP3 – Friday, Jul 10, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 3\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eNeophilia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 3\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003e416 East 10th Street\u003c\/li\u003e\n\u003cli\u003eThe Sidewinder\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP4 – Friday, July 10, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 4\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003ePeyote\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 4\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP5 – Saturday, July 11, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 1\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eYunjana\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP6 – Saturday, July 11, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eSomething Like This\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eI Remember Britt\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 2\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe Beehive\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP7 – Saturday, July 11, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 3\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeophilia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 3\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eNommo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP8 – Saturday, July 11, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 3\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeyote\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 3\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eAbsolutions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP9 – Saturday, July 12, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eSomething Like This\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 1\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eYunjana\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP10 – Saturday, July 12, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Remember Britt\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 2\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eAbsolutions\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP11 – Saturday, July 12, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 3\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eNeophilia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 3\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eThe Beehive\u003c\/li\u003e\n\u003cli\u003eSpeedball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLP12 – Saturday, July 12, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A \/ Set 4\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeyote\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B \/ Set 4\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eNommo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":45938502172851,"sku":"0602508839344","price":399.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_89a003ec-e86e-4944-a769-7c99c54b2218.png?v=1788349291"},{"product_id":"archie-shepp-four-for-trane-verve-vault-series-1lp","title":"Four For Trane | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1964\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFour for Trane, pubblicato nel 1964 dalla Impulse! Records, fu il primo importante lavoro in studio del sassofonista Archie Shepp e rimane uno dei suoi album più influenti. Coprodotto da John Coltrane e registrato nello studio di Rudy Van Gelder a Englewood Cliffs, l'album presenta Shepp che esegue quattro composizioni di Coltrane — \"Naima\", \"Mr. Syms\", \"Syeeda's Song Flute\" e \"Cousin Mary\" — insieme a \"Rufus\", brano dello stesso Shepp. Invece di offrire interpretazioni fedeli, Shepp e l'arrangiatore Roswell Rudd reinterpretano il materiale di Coltrane con audaci sonorità d'insieme, cambi di tempo e improvvisazione senza vincoli. Il risultato è un album che onora la visione di Coltrane, reinterpretandola attraverso la lente dell'avanguardia emergente. Il quintetto – composto da Shepp al sassofono tenore, Rudd al trombone, Alan Shorter al flicorno, Reggie Workman al contrabbasso e Charles Moffett alla batteria – unisce l'intensità del free jazz al rigore formale del post-bop. Pubblicato in un momento cruciale dello sviluppo artistico di Shepp, Four for Trane segnò il suo arrivo come voce vitale e innovativa all'interno della nuova ondata jazz degli anni '60.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSyeeda’s Dong Flute\u003c\/li\u003e\n\u003cli\u003eMr. Syms\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eCousin Mary\u003c\/li\u003e\n\u003cli\u003eNaima\u003c\/li\u003e\n\u003cli\u003eRufus (Swung, His Face At Last To The Wind, Then His Neck Snapped\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Archie Shepp","offers":[{"title":"Default Title","offer_id":45938502303923,"sku":"0602478262906","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_3a04c1c4-1940-4229-98a0-f1304746427f.png?v=1788349292"},{"product_id":"max-roach-percussion-bittersweet-verve-vault-series-1lp","title":"Percussion Bitter Sweet | 1LP (Verve Vault Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/verve\"\u003eVerve\u003c\/a\u003e, 1961\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePercussion Bitter Sweet, pubblicato nel 1961 dalla Impulse! Records, è una delle registrazioni più politicamente impegnate e musicalmente ampie del batterista jazz Max Roach. Registrato in due giorni nel settembre del 1960 agli Universal Studios di Chicago, il disco riflette il crescente impegno di Roach nei confronti dei temi della giustizia sociale e dell'identità panafricana. L'ensemble comprende il trombettista Tommy Turrentine, il sassofonista tenore Clifford Jordan e l'innovatore della tuba Ray Draper, oltre alla magistrale miscela di timbri di piatti, bacchette e dettagli ritmici esplosivi tipica di Roach. La presenza della cantante Abbey Lincoln – partner artistica e politica di Roach all'epoca – aggiunge urgenza e potenza emotiva alle dichiarazioni più incisive del progetto. Pur non essendo formalmente strutturato come una suite, i sei brani dell'album si muovono fluidamente tra lamento spirituale, swing militante e astrazione improvvisativa. Il brano d'apertura, \"Garvey's Ghost\", definisce il tono con sottili correnti ritmiche afro-caraibiche, mentre \"Mendacity\" prende di mira l'ipocrisia con linee di fiati incisive e l'interpretazione drammatica di Lincoln. Altri brani, \"Mama\" e \"Praise for a Martyr\", esplorano il dolore personale e collettivo attraverso un'interazione dinamica e un'intensa sonorità modale.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGarvey’s Ghost\u003c\/li\u003e\n\u003cli\u003eMama\u003c\/li\u003e\n\u003cli\u003eTender Warriors\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003ePraise For A Martyr\u003c\/li\u003e\n\u003cli\u003eMendacity\u003c\/li\u003e\n\u003cli\u003eMan From South Africa\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThe Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Max Roach","offers":[{"title":"Default Title","offer_id":45938502402227,"sku":"0602478262890","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/2_c75137fa-97ca-46cc-9c4c-7bfcdaf26741.png?v=1788349293"},{"product_id":"johnny-griffin-a-blowing-session-blue-note-classic-vinyl-series-1lp","title":"A Blowing Session | 1LP (Blue Note Classic Vinyl Series)","description":"\u003cdiv class=\"product description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ca href=\"\/collections\/blue-note\"\u003eBlue Note\u003c\/a\u003e, 1957\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePer il suo secondo album, registrato nell'aprile del 1957, Johnny Griffin si avvalse della collaborazione di altri maestri del sassofono tenore come John Coltrane e Hank Mobley per creare questo esplosivo album per la Blue Note. Originariamente intitolato Johnny Griffin, Vol. 2, ma ora noto come A Blowing Session, questo infuocato set di quattro brani è proprio ciò che promette: il trombettista Lee Morgan bilancia la sezione ritmica composta da tre sassofoni tenore e una sezione ritmica solidissima con il pianista Wynton Kelly, il contrabbassista Paul Chambers e il batterista Art Blakey ad alimentare il fuoco. Il contrasto tra gli stili distintivi dei sassofonisti è affascinante da ascoltare in queste performance ad alta energia di standard (\"The Way You Look Tonight\" e \"All The Things You Are\") e brani originali di Griffin (\"Ball Bearing\" e \"Smoke Stack\").\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Look Tonight\u003c\/li\u003e\n\u003cli\u003eBall Bearing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eAll The Things You Are\u003c\/li\u003e\n\u003cli\u003eSmoke Stack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Johnny Griffin","offers":[{"title":"Default Title","offer_id":45938502434995,"sku":"0602475079545","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/8577\/2979\/files\/1_eb1c5c76-dd7a-4546-9a9b-89becd89183d.png?v=1788349294"}],"url":"https:\/\/store.everythingjazz.it\/collections\/everything.oembed?page=6","provider":"Everything Jazz Italy","version":"1.0","type":"link"}